Say Goodbye To Hollywood

Last night in Hollywood, Diane Keaton MCed a farewell party to the Ambassador Hotel, home of the legendary Coconut Grove.

It’s destruction has been fully documented by the Franklin Ave. family, on their blog The Ambassador’s Last Stand.

Skyrocketing property values will forever destroy buildings that should be saved as stops on history’s timeline. But as long as there’s a few well-meaning obsessives who will take the time to properly document the life and death of a beloved building, that building will at least remain a chapter in history.
Here’s a hearty thank you to all the bloggers who share their pieces of architectural history with us. And here’s a single red rose on the grave of classic Hollywood. R.I.P.

Noah’s Ark

Former Noah’s Ark Restaurant
Hwy 70 & Fifth St. Exit, St. Charles, MO
Upon hearing the news that Noah’s Ark was going to be torn down to make room for an aquatic center , pictures of the remains were required.

The place opened around 1966, and to grade-schoolers Noah’s Ark was Mecca. It had giant fiberglass animals, a killer kids menu, kiddy cocktails to match your folks drink for drink, and the waitresses passed out plenty of cheap plastic, animal-shaped doo-dads to keep the tots distracted until the macaroni and cheese arrived. I’m going on word of mouth about this because, sadly, I never went to Mecca when it was hopping (above, top). I was about the only kid I knew who was cruelly denied the thrill. I simply stared at it longingly from the car as we sped past it on the highway.
Actually, the November 2005 visit (above, bottom) was my first visit. I’m a late bloomer…

The restaurant has been closed since at least 1996, and the animals were herded away from the ark and scattered about the parking lot (above, bottom). While the place has occasionally been used as a Halloween haunted house (4th item down), it sat vacant for years. This is prime real estate, so that it remained untouched for so long is surprising. Maybe sentimentality played a part in it lingering in limbo for so long.

Still hanging at the entrance are some framed photos of the place in its heyday. Sun-faded photos feature Milton Berle as a celebrity guest, parade floats in downtown St. Louis (above, top) and many shots of the cavernous dining room cram packed with diners.

From the makeshift hanging scrapbook, glimpses of the interior show (above, top & bottom) that the leopard print chairs matched the waitresses mini-skirts, which is hubba hubba in a pre-Hooters way. Also note that they were made to wear safari pith helmets, which is way cool.

From this angle, the fading remains of Noah’s Ark looks vaguely similar to Le Corbusier’s Ronchamps

…but actually, a brick gas station pierces the hull like an iceberg (above). The Ark looks as if it crashed ashore to stock up on Twizzlers and Pepsi before the 40 days of rain really kicked in hard.

Even as the gas station invaded, and a hotel ate up the parking lot, the powers that be let most of the Ark’s remains stand undisturbed, including the too-ugly-for-words lamp post (above). There’s a curious magic to the place, and maybe the new tenants could keep the animals; elephants fit in with the aquatic theme, and kids find giraffes therapeutic, right?

Still Alive

2006 is off to a wobbly start…
My computer went completely, utterly dead and it just now returned from the repair shop.
There’s still plenty to talk about. I shall return shortly.

Northland Shopping Center Artifacts

Let’s carry the story into 2006, by sharing what I saved from Northland Shopping Center.
Reminder: Should you want it, the entire story is here, and enlarge any photo by clicking on it.

Northland’s main sign (above, left) stood diagonal to the West Florissant and Lucas & Hunt intersection. For decades, it was the community’s bulletin board.
When its demolition date arrived, they obviously didn’t bother to dismantle it; they just crushed and whisked (most of) it away. Broken pieces of the big plastic letters were partially buried in the dirt. The “R” (above, right) was the only letter that remained recognizable. In my backyard, it certainly does look like a haggard “P,” yes.

The Northland Cinema (above, top) was built in 1967. I took the last pictures in Spring 2002, including the pool-side-fabulous lobby (above, bottom left). Darren Snow and I visited on July 2002, and the cinema had been thoroughly demolished, the last of its remains in a few large trash dumpsters nearby. To which D. pulled his pickup alongside so I could climb atop the roof and get into the trash dumpsters, desperate to get a recognizable souvenir. My only “save” was a single, baby blue ceramic tile (above, bottom right) that was once part of the ladies’ restroom sink backsplash. It’s only 1″ square, inconsequential at best, but simply holding it makes me feel way better than any new age crystals they sell.

On that same day, we waded through the forest of fallen light poles (above, left) that once surrounded the Cinema. The metal parking-place reminders that hung around each pole turned out to be rather huge. Darren was the toolbox-wielding hero (above, middle) who patiently cracked decades of rust and snagged us some parking reminders. “A13” is somewhat heavy and bulky (above, right), but that’s what makes it the perfect sunroom muddy-shoe-holder.

The former Baker’s Shoes storefront (above, top left) yielded a few treasures. The original door pulls (above, bottom left) were long-coveted, and once vandals broke a display window, I was able to get in and take the handles, which had been sitting on the vacant countertop (top red arrow in top left picture) for over 2 years. They are gorgeous.

During a summer 2005 visit, Rob Powers was dead-set on having the Baker’s store address (above, bottom middle). Rightly so, because it’s in that smart Lever House font. I dragged a 6 ft. ladder down from the (now easily accessible) Former Kresge. Darren’s magic toolbox had the right size screwdriver. Rob spent a good 15-minutes of cursing under his breath, and finally dislodged (above, bottom right) the Dirty 30. Since he was so diligent, he deserved to keep it.

I also had to take a brick from Baker’s (above, top right). Special Nerd Note about this photo: the Baker’s brick is sitting atop a limestone brick from the old Cross Keys Shopping Center. It was part of the former Kroger grocery store facade.

Baker’s Shoes eventually became Kingsbury Shoes (above, left) and the hanging promenade sign (above, top right) eventually became mine (above, bottom right) after the wrecking ball smashed this section into dust.

From the Former Famous-Barr (above, top left), I dragged off a stone brick (above, top right). A few days later, Brett Reagan (above, middle right) brought along his pickup truck to help me gather more FB stuff, like a chair (above, bottom right) that came from the FB Human Resources office. I figured out its provenance from there being so many of these desk chairs sitting nearby the Employment Office entrance. Plus, after 13.5 years as a Famous-Barr advertising employee, I was overly familiar with the furniture in the areas where folks filled out employment applications.

The FB door pulls (above, middle left) were something I always longed for, and I now had clear access to removing them, but we had no frickin’ tools! While we stood talking inside the building, we kicked at piles of debris and up popped a solo door pull! The sucker (above, bottom left) easily weighs 10 pounds, and is dashing in its modern simplicity.

More FB fixture finds include a fire alarm (above, left) and a tin placard that Michael Allen pulled from an AC unit (above, right) and was so kind as to let me keep.

I waited a couple of weeks for the sign revealed in the FB window (above, left) to become available. So, it’s large but it’s old foam core, so it shouldn’t have been a problem, right? Oh man, it was brittle, large and awkward (above, right) and was the hardest thing to load into Brett’s truck.

The begrudgingly optimistic sign (above, left) that sat inside the former candy store’s vacant display window was eventually scooped up by me as it fluttered by in a post-demolition wind.

The sign died in the above, left windows, and later I got a patch of the ceramic tile (above, right) that covered the display facade.

The exterior stairwells of the Northland Office Building (above, left) were wings of metal, concrete and Mondrian stained glass (above, top right). During demolition, the glass fell to become candy sprinkles on the sidewalk. I oh-so-carefully carried off some really sharp shards (above, bottom right), and they never fail to remind me of so many moments of sunlit abstract beauty in the stairwells.

The ground floor lobby of the Office Building (above, top left & right) was straightforward linear, with its only organic texture being the tile walls. One had to stand right against it to notice how jet-age loopy the rock pattern was. I later learned a deep appreciation for those rock walls only after I got a chunk of it (above, bottom left). Those are halved pebbles of polished granite embedded in a sand base. My little piece has heft and presence, and the “Made In Italy” stamped on the side (above, bottom right) reveals a high price tag, even back in the mid-50s. Which just highlights how Northland developers and architects never skimped on materials. The construction and the finishes were for important permanent buildings, so they figured the cost was worth it. So, cost pro-rated by 50 years, they probably got their money’s worth…

The former Kresges at Northland was my Xanadu, and while I got a few things, I never got the chance to thoroughly dig through the guts in search of authentic Kresge souvenirs. The wrecking ball and rain got to it before I got a final crack at. But I did get to tear off a piece (above, bottom right) of Kresge’s upper level facade (above, top). Those sheets of coral and red enameled metal were screwed on for eternity, and I even lost my best screwdriver in the fray, but I won the fight (above, bottom left) and took away a valid, solid chunk of S.S. Kresge & Co.

On another day, I was happy to just get an original thermostat cover (above, left & right).

But for me, the most-coveted item in the place was the original Coke-Cola clock (above, top left). Forever it hung on the back wall of the upper floor; when Conine said to meet her by the cash registers in 15 minutes, that clock kept me from losing solo toy browsing privileges. At some point, a cat lover permanently altered the clock face, but I still wanted it bad.

Many times I tried to work up the nerve to walk inside as McCrory Furniture staff cleared out the store, and simply ask if I could have the clock. But if they knew it was important to me, they’d want to sell it for some absurd amount, I’d refuse and they’d keep the clock to spite me. That’s how revved up I was about snagging the clock – imaging fights with furniture storeowners.

I kept a vigilant eye, and finally Powers, Snow and I had unrestricted access and a ladder. Despite repeated attempts, we couldn’t budge the giant, heavy clock from the wall, and my heart was breaking. I was so close, the clock is right here in my hands and I can’t have it! Just cruel.

About a week later, Vince Mattina and I found the clock had been carefully removed from the wall, and sitting on the floor not too far from where it hung (above, middle left). It’s way too big to fit into my car, but what about just taking the clock face? The hands (above, middle right) had to be removed in order to free the face plate, and I failed miserably at it, almost snapping off the hands in anger. Vince was far less emotional about it, and methodically removed the hands (“Now, you have to save these, too. It’s the best part.”) without aid of tools. My hero, Vinceman, freed the clock hands and face, helped me cart out the bounty, and even took my picture (above, bottom) with the hard-won prize. It was a triumphant moment of relief and happiness, certainly the biggest mount in my trophy room (above, top right).

The stairwells at Northland (above, right) were always a visual and physical delight. On one visit, one of the canister lights (above, left) had fallen down onto the stairs. The scale of Northland was so large that all ornament on it seemed normal-sized when seen from the sidewalk. But when finally right up on a piece, it was overwhelmingly large. This canister light was monstrous. So huge that I had to pass on carting it off, and I regret not having made the effort. It would have made a unique and durable trash can.


And here’s the last piece of Northland I own (above). I have no idea exactly which store it came from; it peeked out from a pile of debris on the northern lower level, so I scooped it up. This one square foot ceramic glazed tile summarizes the Northland in my mind. That particular shade of blue is so mid-century modern, so cocktail lounge cool, so New Frontier. It’s the big brother to the little sister Northland Cinema tile. If all my Northland artifacts were in book form, this tile would be the cover.
A warm “thank you” to all the people who helped me cart off “chapters” of the Northland story.

Happy New Year

Bates Street
South St. Louis City, click MO
Amid all the excessive fluffery of Christmas decorations in my neighborhood, purchase this simple peace sign stood out. Made only of blue garland, remedy it only came alive when the early morning sun hit it, when it shined like a beacon of heart-felt desire. It spoke gracious volumes about America and peace, much more so than any gaudy, inappropriate displays of Santa and American flags as seen on many a lawn in the city and county.

Come night, all the lights and animatronics that now comprise holiday decorations drowned the peace sign out. But it became a special, secret moment on sunny mornings as I drove to work: Peace On Earth and Good Will Toward Man.

By the time I was able to capture a sunny morning photo of my favorite public Christmas decoration, the peace sign garland was haggard (above). It has lost its shape, and all too accurately conveys the state our country is in, as regards to peace. It’s a bit like a mood ring, in that sense.

Yet, it still hangs for a few more days, and gives me hope for the new year. May 2006 be better than 2005 for you, in both a public and personal manner.

Christmas Time

St. Louis Hills
South St. Louis, MO
This house (above) is rather ornamentally robust all year long. The front yard is a maze of decorative touches, capped off with a giant, functioning clock! So, I looked forward to the holiday bizarre that would surely explode in their front yard for Christmas.

They did not disappoint. Well, except for one major flaw: Shouldn’t the lions be wearing Santa hats!?
Within one short block, all on the same street, the beloved inflatables were going down, like they were picked off by The Grinch overnight. Snowmen melting…
Drunken Santas toppling… Oh, the humanity!
Maplewood, MO
But the most sobering site of all was when Mary, Joseph & the Baby Jesus took a pin to 2 inflatables. At that moment, the true meaning of the holiday was finally understood.
Merry Christmas to you and yours.

Northland Demolition, Part 5

September 24, 2005
The last visit was September 4th, 2005. The entire chronological saga is compiled here. Also, by clicking on them, all photos enlarge for better viewing.
After a 3 week absence, I was shocked to see the tower (above) still standing. But the demolition crew had moved their Porta Potties, so they were ready to get serious about crushing the southern upper level.

Circling around all sides of the tower (above left & right) was an odd sort of Maypole dance.

In preparation for the final crush, the Walgreen’s sign was uncovered (above, left), and capturing this Mondrian-esque sight (above, right) made me nostalgic for when Walgreen’s had a killer liquor department. It was one of my favorite places for last-minute Christmas stocking stuffers. But in the late 1990s, the Mormons reportedly bought the corporation, and they banned the booze.
7 doors north, all the glass was stripped from the former jewelry store, making it easy to take one last lap around the ravaged space (above, left). It also featured a hatchet edge (above, right) where I could stare straight down into the abyss that was once the Famous-Barr building and the entire north wing, upper & lower levels.

Staring up from the lower level, the same jewlery store can be seen on the far left of the above, left picture. One normally only sees neat sections on building blueprints, but from this view, it was a section plan come to life. It’s a fascinating reveal of how the upper & lower levels worked, and how the wide array of facade materials formed a large, modern mosaic. Down at the West Florissant entrance to the Office Building (above, right), I got one of the last shots of the upper & lower level play of the south wing. With the plexiglass walls gone, it becomes a pure, unobstructed view of the basic, geometric building blocks that was the ingenious premise of Northland.
The Rubble Mountain (above) was getting ever taller. Even though the concept of climbing the busted remains of Northland creeped me out, it was too unusual to let a self-timer photo opp pass.
No, I don’t usually spelunk demo sites in a dress. I’d come straight from work. And in my left hand are pieces of the stained glass from the Office Building (far right in the photo) exterior stairwells that were now available. A Scavenger Sidewalk Sale, of sorts.

Here’s a small collage of uncovered signage and tossed toilets. I finally got an unobstructed shot of the Staten Island Cleaners sign (above, top right). When the dry cleaners vacated, a chop suey joint took over the space. It looks as if when they installed their own sign, they simply knocked the Staten Island sign over onto the roof.

October 9th, 2005

2 weeks later, exactly half of the south wing has disappeared (above). And I zoom in on what the demo crew left behind when the closing bell sounded at Friday quitting time.

As sad as it is, there’s also beauty and grace within demolition scenes. Goethe said “architecture is frozen music,” but when its busted pieces are crashing and fluttering about, it thaws to become a sorrowful, minor key symphony. In the case of the Foxmoor storefront (above, left & right), it also felt like an action sequence that came to a halt when the film reel jammed.
Or a giant’s game of Pick-Up Stix (above). The light poles just barely missed falling into the pit. Also note the 4 round green planters near the top center of the photo.
As the crews have methodically dismantled and cleared each space before crushing it, they carefully move these planters out of the way, rather than obliterating them.

It’s so odd, for the crews have to physically move these planters from place to place. But it’s also comical, because the planters now resemble a Greek chorus traveling behind each new wound, pointing and contributing commentary. These planters have become bookmarks, or a perverse version of Where’s Waldo? as I crane to find them somewhere within each frame.

A close-up view (above) reveals about 5 layers of paint over the years, with the original layer being the light blue that dominated the Northland color scheme. Also, I always assumed the planters were made of concrete, but it’s actually a fiberglass & plastic mixture. This makes them relatively light-weight, and easy for the demolition crew to move about like checkers.
Hmmm…would I be able to move one from the site and into my backyard?
The Northland Office Building was wide open and prepped for the big crush…
…with machinery lined up to attack. So I figured I better get inside for some final detail shots before it was gone for good.
Even more stained glass was missing from the external stairwells (above, left), which left beautiful confetti on the sidewalk below.
Coming in through the south-facing main entrance, I’m surprised at how much of the original finishes remain. There’s the simplistic handles of the glass doors against the space-age shaped mosaic tile (above, left) , and the goblet-shaped metal canister lights (above, right) that were prevalent in many commercial spaces during the late 1950s.
Exit the building from the north-facing side (above, left) and head over for the last look at what remains of the south wing’s lower level (above, right).
I finally got to see what material had comprised the black rectangle (above, left), since they were now scattered on the ground. Each panel was metal covered in porcelain enamel (above, right), which surprised me. That material was recently out of favor for facades, with its heyday being the 1930s and ’40s. For the Northland architects to pick that material for use in a purely decorative manner was a nice touch.

Of course I tried to salvage one of the panels, but like everything at Northland, the pieces wind up being much, much larger than they seem from ground level. This single panel was about 3′ x 2′, and way too heavy for me to carry over a long distance. Since the site was completely closed off and torn up, I had to park at the stand-alone Blockbuster up near the Lucas & Hunt/West Florissant intersection and walk a bit to get to the demolition. While it never seemed like a long walk previously, carrying a 35-pound enamel panel would make it feel like a mile. So, I had to leave it behind. I still regret that, but then, where would I have put it?
Considering how fast the crew moves when they’re cleared for take off, I had a feeling this was my last moments with the tower (above). Actually, I was hoping it would be, because I was worn down by the anticipatory dread. But I was torn between wanting to capture parts of its demise, and just returning to see it completely cleared (like the grocery store) so I wouldn’t have to see such a grim sight.

October 16th, 2005
On this day, I turned 40, while Northland only made it a scootch past 50 years old. I hope there’s no symbolism involved here.
And I caught the last gasping remains of the once-mighty-pretty tower (above). While the crew completely cleared everything immediately around it, they left just this last bit standing, almost as if leaving me a birthday present. Thank you…. I think?
But the Office Building still stands in the background (above). Which made sense when I pondered it; the demo crew is very methodical. They won’t crush the Office Building until they’ve completely cleared the last bits of the mall, proper. Environmental Operations, Inc. have been fabulously meticulous throughout this long, hard process.
The Greek chorus (above, left) moves to the southwest, to sing a final farewell to the tower, while trekking directly north of them, I find a sign (above, right) patiently narrating what all this rubble once was.
Looking west at what was the stairwell to the lower level, the still-standing bank can be seen on the left side of the above, left photo.
Once there was a multitude of stainless steel columns, but now we have the Last Mohican (above, right). I tried my best to salvage any piece of the still-vibrant stainless steel, but the sections were either too long or too large to handle by myself, or were jutting out of piles that could have turned into a massively scary game of Jenga if I pulled incorrectly.

Since the bank will remain open for the duration of the demolition and new construction, I shot one of the drive-up ATM kiosks as a future reference point (above). Once everything is demolished, spatial relations change drastically, and it’s difficult to pin-point what was where. By picking something that will remain, it’s easier to find the phantom spot in the future, should I wish to engage in morbid memories. But so far, I just want this to be over with.
Save for the main one, all identifying signs (above, left) still ring the perimeter of the property. I’d love to get my hands one of those Exit signs, but again, they are really huge. I could get someone to help me cart it off, but then where would I put it? Turn it into a coffee table, maybe?

Above, right, standing in what was the lower level, and shooting through, and past, the iron framework. And it’s still a weird, creepy feeling to be standing on what was a solid building just days ago.
This was the southern lower level shipping and receiving garage, which lead to an entire city’s worth of neighborhoods underground. I never realized just how massive this place was until they dismantled it. The dry cleaners/chop suey joint was to the immediate left in the (above) photo, the stairwell to the right. In the last years, one could always smell urine when walking past this spot. Now it has a brief chance to air out…
Here’s the last of Northland’s 3 stairwells (above), which had been sealed off since at least 2002. And again, we see the plaster not so much falling off, but peeling off to hang like a curtain. It truly is an impressive sight. All that weight hung like that for another 2 weeks or so, which points out – yet again – how tightly and strongly this place was built. And which is why it’s taking so long to tear it down.
Which makes me think about the place that will replace Northland. In about 25-30 years from the date it opens, it will be crushed for some other new development, but at that time, demolition will only take about a month or so. Meaning, the advantage to building cheap, flimsy new buildings is the built-in demolition savings in the future. Very clever, that.

From the lower-level pit, I look up for one final goodbye to The Tower, and then had to split for some birthday merriment. But it felt good to spend a little time with a place that has meant so much to me over these 4 decades of life.

October 24th, 2005
At the very north-eastern of the Northland property (see star on map, above), there was an organic, pedestrian-made foot path that took you from the top of the hill down into Northland, just behind the cinema. Many of us walked to Northland back in the day (I know I walked to more than was ever driven to), and many still do; every time I’ve been at the site, easily 20% of the folks I encountered were on foot.
The new developers have acknowledged that path, and made it official by paving it (above, left). Nice touch, truly, because it shows they’ve acknowledged how people in the community have – and will – use the place. Then I get to the top of new sidewalk, and….

(Above, right). What the piss?! Some well intentioned but dunder-headed street department worker decided to cap off the metal guard rail! You can see how fresh it is, and how it violates the freshly laid concrete sidewalk! What were they thinking?!
Oh, they weren’t thinking, obviously.
Build an official pedestrian path, and then block it off…brilliant, just brilliant.

OK, the young can easily hop over it, but what about the old? And even as I photographed this jerk move, 3 little kids were riding their bikes across the Northland lot. They pedaled up the new sidewalk, and confronted the new roadblock. The 2 boys quickly got off their bikes, picked them up and over onto the outer sidewalk. Then they pedaled off, leaving behind the little girl, who couldn’t pick up her bike as easily.
Putting her bike on its side, she pushed it under the rail, then hopped over to pull it out the rest of the way. During the solid minute that she spent overcoming the obstacle, the boys had long-since disappeared, and she had to frantically pedal off to find them.
Either Sansone (the developer) needs to get over there and remove that end cap, or someone in the neighborhood needs to take a chainsaw to it. Either way, fix it!
Northland was a 65+ acre property, very hilly. My father tells of hunting rabbits on that forest-like property back in the 1940s. The original Northland architects worked with that landscape, creating a multi-level structure. The new development will obviously be one level, on flat ground. Looking north (above, left, and note the Greek Chorus in the distance), see that everything has been filled in. The demolition remains were packed down to form a foundation, and fresh dirt caps it off.

Looking west towards the Office Building (above, right) better shows the line of demarcation. I’m standing on the fresh ground near the border of debris. Construction-wise, earth moving is a budget killer. It’s often wiser – both financially and ecologically – to build with the land then to rearrange it (as in the original 1950s construction). But when “recycling” this property, they recycled parts of the building as their in-fill, and only had to pay for enough new dirt to ice over it. That’s a large budget relief. Plus, it’s also cheaper to build single-level dry wall & brick boxes. So, this does highlight why developers are constantly looking to scoop up previously built-up land for their new enterprises: huge savings.OK, I admit that I was slightly annoyed to see the Office Building still standing. It just prolongs my agony, drags all this out far too long. But the medicine ball had been moved into place (above), so they’d be gettin’ busy on the Office any day now.
Here’s a still-life (above) of newly-yanked Office debris. I call it “Mid-Century Electronica.”
Knowing the ball would be swinging, I went back inside the Office Building to find a souvenir. The lobby (above, left) always had the crazy sophisticate marble mosaic tile, and the chunk that fell off the corner (above, right) was laying there for me to cart off.

And as I gathered loot, a fellow scavenger walked in. Earlier in this visit, I’d noted a man (and his pick-up truck) moving about the large piles of building debris on (what remained of) the upper-level Actually, I’ve seen a lot of these types; they’re probably rooting for copper. Since no one has every truly guarded the site (I’ve stared right at Jennings’ cop cars as they drove past me, and just kept going), so why not retrieve anything of monetary value?

On this day, as I photographed from the pit and he surveyed trash piles above, we visually acknowledged one another, and kept going. Later, as I sifted through the dislodged junk inside the Office Building, I heard him walk in, talking on a cell phone. Again, we made eye contact and casually went about our business, which was an oddly comforting form of corpse communion.
And here’s what (finally) became the very final shot of the Northland Office Building.

November 9th, 2005
Almost 3 weeks later, the Office Building is now thoroughly gone (above).
The bank building finally becomes a stand-alone “out lot.” It’s odd that this building survives; it was the last bit to be tacked onto Northland, and then the Last Mohican. But money talks, and this place remains defiantly open.
From the upper-level (above, top), it’s shocking how much space the bank actually took up within the complex. But when viewed (above, bottom) from the northern-most end of the property (I’m standing on the train tracks for this shot), the bank just looks sad and misshapen when divorced of context.

And my physical work at Northland is basically finished. I’m relieved.
There’ll be 2 more posts about it: the memorabilia I carted off; friends old and new who joined me during this odyssey along with commentary and memories from those who loved the place just as much as me. Until that time…
Miniature Memorial To The Northland Office Building
As a kid, I mentally referred to the place as “The Marcus Welby, M.D. building,” and it always reminds me of Flipper.
To keep me occupied while in the waiting room, Conine bought me a Flipper coloring book, which was purchased at Kresges, on our way to her doctor appointment. I colored in about 3 or 4 pages before asking the receptionist if I could have the key to the restroom. I took the coloring book with me (why?!) , and didn’t realize I’d obviously left it in the bathroom until many hours later.
The Gasaway Pharmacy had been on the 1st floor from the very beginning to the very end, and never once remodeled. Their goodbye note is above (click on photo to read a larger version), and note that it was composed on an old-fashioned typewriter.

Webster Groves, Wood & Plastic

Big Bend & Elm
Webster Groves, MO
An art gallery moves out, and a high-end appliance store moves in.

At one point, this storefront was obviously goregous. But time speeds forward, remodeling happens. For some reason, every owner has decided to keep the vertical columns of varigated purple art glass, maybe as a reminder of former aesthetic glory.

The new owners were smart to pick gloss black paint for all the tacked-on wood cover-up. It certainly does look much better than the previous color (above) that somehow tried to both coordinate with, and minimize, the art glass. But there truly isn’t much anyone can do with that barn plank marquee. Considering that the new tenant is selling uber-expensive appliances to people constructing Just For Show kitchens, maybe they will make enough profit to properly resurface the storefront.

And on the topic of surface treatments, lets move just one block away to…
Hwy 44’s Elm Exit Underpass

B.E.L.T. Rule #1: Always Carry The Camera.
B.E.L.T. Rule #2: Violate Rule #1 and suffer the consequences.
So I missed a shot of the road crews actually installing the “rock walls” around the overpass concrete columns. I only have this shot (days later) of a grift-in-progress.

It’s not rock. It’s sheets of white plastic molded to look like rock that is then sprayed with a chalky grey paint that perfectly simulates rock in that theme park kind of way.

The site of a construction crew staple-gunning sheets of fake white rock shocked me so that I nearly crashed into it. But luckily, crashing into a Frisbee would not hurt my car. Is this the highway safety rationale behind this dubious finish choice?

There is no shame in a material being what it is; there is a certain majesty to material honesty. But it’s maddening when a material is forced into a life of deceptive servitude, pretending to “be” wood, plaster or rock. Any material that’s been molded to look like something else automatically implies “the budget’s too tight for integrity.”

I imagine MoDot and Webster Groves City Hall at a meeting about the look of the new underpass. City Hall saying that Webster Groves is a classy place deserving of a classy looking underpass. Concrete ain’t classy. We want stately solidity, but without the expense of stately solidity. What do you have for us?

MoDot suggests the fake brick bibs (scroll down to the last letter) it trotted out for the Hwy 70 overpass reconstruction in North City.
Nah, brick is sooo Downtown St. Louis. Got anything classier?
Why yes! Plastic!
Ah, yes, plastic. Nothing says class better than a silk purse from a sow’s ear. Let’s do it!

America’s muscular interstate system is built of blacktop, steel and concrete. To beautify any portion of such a utilitarian means to an end is thoughtful, but not necessary. But to gussy it up with Leggo Limestone is just pretentious and flat out silly.

Blue Renewal

South Kingshighway @ Murdoch
South St. Louis, MO
Tom, of Pretty War STL, got an ultimate shot of this place back in July. And I agree with his assesment that it was once a gas station, based on left over concrete fixtures on the lot, and what looks like an enamel porcelain facade that’s been painted over a gazillion times.

As of late fall, someone is redeveloping the building. Sheets of foam insulation in preparation for a new facade, fresh plywood in the windows, and a small handful of trucks in the parking lot are all sure signs of renewal.

I hung out in the artic freeze for quite a bit, hoping a member of the crew would poke their head out so I could pepper them with questions. I’m fearless about pumping folks for information, but only if they appear before me. I will not (usually) go out of the way to bother someone, especially if they’re working. But I am burning with curiosity…

Until the story reveals itself, I leave you with a miniature art exhibit entitled: Blue Renewal Abstracts.


Updates

South Side St. Louis
Esley Hamilton, the ultra-busy, ultra-informed and ultra-sweet Preservation Historian for St. Louis County, sent me a message.

“I just was looking at B.E.L.T. and noticed two pieces about properties that we included in our 1987 Art Deco study. “
Oh, I love that study! In the past, a friend and I have spent time picking an area and tracking down and photographing as many on those lists as was possible in an afternoon.

He continues:
The South Side Streamline at 4679 South Grand was built in 1947 for Alvin and Gertrude Mueller. He was an optometrist and had his office and residence in the building. The architect was Adolph L. Struebig, the same architect who designed the Coral Court Motel. At this time he had his office in the South Side National Bank Building. A year or two later he went to work for the State of Illinois and stopped designing buildings like these.”

The Vedder was built in 1938 for and possibly by Gus Sturmfels, who was primarily a builder. I knew his widow and son in the 1980s, when the construction of Highway 141 went right through their property in Town & Country. Elements of the design of the Vedder are picked up in other buildings along Nottingham, but as they are all by different architects, it’s difficult to attribute this design. But see 6202 Nottingham, 1940, Cay Weinel; 6263 Nottingham, 1941, A.F. & Arthur Stauder; and 6475 Nottingham, 1939, Frank G. Avis. The Vedder was recently remodeled and I believe turned into a condo, and the original metal-frame windows were removed, which makes the building look hollow-eyed now.”

I wish there was a pocket-size version of him – and Micheal & Claire – to carry around with me as I roam the area. Preservationist Palm Pilots, as it were…
Thank you, Esley.

Busch Stadium
Not once during the demolition did I roam downtown to take pictures of the rapidly dwindling Busch Stadium. I’ve swallowed more than enough concrete dust this year, photographed far too much demolition debris.
Plus, I work in a camera store, so I’ve seen plenty of
others snapshots.
Besides, it’s been really frickin’ cold!
And, this man did a brilliant job capturing the destruction. Simply gorgeous work.
Plus, the Post-Dispatch has that “all access” angle. There’s some wonderful images in their Busch Photo Galleries.
And, as always, Urban Review St. Louis – and his readers – have it covered on every level.