Dellwood MCM: One Perfect Moment

dellwood-buick

New Halls Ferry Road & 270
Dellwood, MO

I took this photo in the town of Dellwood in North St. Louis County in the early fall of 2003.  As a kid, I mentally referred to it as The Flying Building.  I chanced upon it right as they turned on the lights, which made it look even more so like it was launching into flight.

It was a quick moment, and I made mental note to come back and further explore this building with a camera. Upon returning for that purpose, it was clear the moment had passed. They had knocked down the original Buick sign and junked it up with a bunch more vinyl banners. But at least they haven’t torn down the building.

Yep, I probably just jinxed it.

Jennings Bank: In Plain Sight

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Jennings Station Road and Lewis & Clark Blvd.
Jennings, MO

Built in 1967, this building has always been a bank.  It is located in a nebulous part of North St. Louis County, where you move a block it’s Jennings, move a few blocks over it’s Bellefontaine Neighbors, though a bit of Moline Acres sneaks into a crack.  The bank that now occupies the building uses Jennings as their mailing address, so Jennings it is.

My paternal grandmother lived a few blocks away from here (with a Bellefontaine Neighbors mailing address), so I grew up with this bank as a normal part of daily life.  Back in the day, the concrete roof and columns were bright white, but the new beige does not diminish the dramatic tension of a delicate band of clerestory trapped between heavy concrete and solid brick.  Though the vertical blinds in the glass wall bump out do slightly mar the sense of floating.

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But drive by at night to get a better sense of light vs. heavy.  Do you notice something odd between night and day?

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At night, the virile and industrial bank vault is left exposed, but during the day, those vertical blinds keep it hidden.  Back in the day, it was always exposed.  If anyone knows why the current inhabitants keep this curious blind parting schedule, please do share.

North County MCM: Halls Ferry Road

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Head north on Halls Ferry Road, and on the western side of the unincorporated portion between Jennings and Dellwood, Missouri you will find a large stash of choice mid-century modern homes tucked into the rolling hills.   But stay on Halls Ferry, and pay attention to three homes that straddle Hudson Road, like this one, above.

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Built in 1958, the 1,607 s.f. home sits on nearly an acre of land. It is unabashedly modern with its multi-levels of flat roofs and large expanses of glass to peer down the steep hill in the front yard.  Every time I pass by with a camera, the newest owner is out on his riding mower, and I’m working up the courage to ask him if I can get closer, maybe take some pictures inside.

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Two houses down, the original owners are still on the books for this place.  Built in 1953, it is the definition of sprawling, clocking in at 2,438 s.f.

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The last time I happened by, there was a large dumpster in the driveway, lending the impression of kids clearing out decades of living, though no for sale sign has yet popped up.  Recent real estate transactions show that homes in this very immediate area go for insanely cheap rates of $90 – $115,000.

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Right next door is a light blue ranch with a full butterfly roof.  It went up in 1955 with 1,924 s.f. of space, and again, it appears the original owners may still be in residence.

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All of the homes along this stretch have gigantic yards, so many mature trees that I’d worry in a wind storm, and exteriors that show little remuddling damage.  While growing up in this part of town, we considered these to be the homes of “rich people.”  I’m thinking it was a psychological reaction to the houses sitting so far up from the street atop steep hills. But even today, they are rather luxurious examples of suburban mid-century modern architecture.

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Overland MCM Buried in EIFS

Woodson Road & Ridge Avenue
Overland, MO
Next door to the venerable Woofie’s hot dog stand was a pale reminder of former MCM fabulousness. But after a recent remodel, it now looks like an elongated KFC.

I covered this building as part of a previous post on Overland mid-century modern (scroll down to the 60% mark), wherein I wished it could get a good scrubbing and some repair TLC. Instead, I feared it would eventually just get torn down.

I drove by about a month ago and saw the beginnings of some construction work, and hoped for the best but expected the worst. And sure enough, its Low Rent Palm Springs aspirations have been covered over with tan and bland EIFS.

Aside from the application errors of EIFS, I’m going to make a safe guess that they did not correct any of the water and decay damage before covering it up. Just like they cover up old dirty brick in need of tuckpointing with vinyl siding on the rationale that “what you don’t see can’t hurt you,” it only masks the damage that continues under the new facade.

U.S. Band & Orchestra spent some good money on this renovation, so I hope it was done properly, for investment sake. But they covered up a lot of windows and that new entrance bit is just plain awful, and a big company sign would help with that dull expanse of boredom. One compliment: the warehouse portion still retains most of its original material and actually looks better defined with two tones.

Look, I understand that these improvements are a favorable thing for the company and the immediate area. I also understand that slapping on EIFS and some replacement windows is more cost effective then rehabbing a light manufacturing building that only I thought was cool. Status quo rules for a reason, and the new facade is considered “pleasing” by retail big box standards. But I miss its raggedy ass, and with each drive by, I will ponder all that tiny blue and gray tile forever preserved under synthetic stucco, and smile.

Unnerving Florissant Modern

Halls Ferry Medical Arts Building
Florissant, MO
As a kid, this building scared me. As an adult, it both repulses and attracts. It hovers and squats, begs you to look at it yet wants you to stay away. The complete lack of windows makes it seem unfriendly to those outside and inside.

Thanks to Live Search Maps, I now know that daylight does reach the inhabitants through a center light well. So I no longer need worry about the people inside. But the exterior impression is still unnerving in the same way as Donald Trump’s comb over: Yes, it’s grotesque but I can’t stop trying to dissect it.

It opened in 1973, so it’s in that muffled time period after mid-century modernism but before the carnival sideshow buildings of post-modernism. It sits directly north behind Interstate 270, near the intersection of New Halls Ferry and Dunn Road, tucked oddly into the site. You only see it from New Halls Ferry when driving toward the highway, so it feels like it’s in hiding, waiting to crush you if you happen to walk to close by (though this is deep suburbia, so there are no sidewalks).

When parts of the building are in full sun, it can be striking, like a graceful alien mothership. The stark minimalism of the base – punctured only by double glass doors in the front and back – is audacious in scale. The second story “hat” with bowtie-shaped corners is overblown like a 3-can Red Bull buzz. But again, at the right time of day, it feels jovial… as long as you stay back several yard.

The building was rather popular in the early days. I knew lots of people who had doctors within, and they all seemed to come and go without harm. In the early 1980s, I was scheduled to go there for a blood test and blew it off because I just couldn’t bring myself to walk in the joint.

Under the newest ownership, the Medical Arts building has deteriorated. As seen above in December 2006, a stone aggregate panel had slipped off the frieze. Being able to see what was behind there blew my theory that those panels were originally intended to be windows until the budget ran out. Another look at the first photo shows they did repair it as cheaply as possible.

Mold runs rampant along the north side of the building, as do water stains on all sides. There is no sign of regular building maintenance, though, strangely enough, the landscaping that runs down both sides is always trim and tidy.

When recently talking about this building, a relative who had a doctor there in the mid-1970s said, “Oh, it had the nicest fountain inside the center court.” Which highlighted that one never truly knows a building until you’ve experienced all of it. So, maybe it was time to peak inside.

Going inside means facing this! It really does feel as oppressive as this view looks.

But when contemplating the rear entry up close, it’s not so bad, right? I love the simplicity of the glazing, and the sleek door handles. A defunct phone booth is a quaint touch. Plus, those are vintage plastic office chairs, all 1973 olive green, of course. So, I summoned the courage and darted inside for a quick peek.

This place has got it going on, chair-wise!
I was struck (and relieved) by how much daylight there was, and all the greenery in the atrium. Look through the glass and you can see part of the fountain. I’m guessing it’s not running at this late date, since the pool is now filled with rocks. I wasn’t able to gather details…

Usually, I photographically prowl around inside a building until I get the stink eye. But in this case, I saw no human beings, which creeped me out and made this a 2-frame/30-second sprint.

The sign is intriguing. It wanted to mimic the shape of the building but gave up, so instead uses some of same materials. But that script-like type face is misleading because it’s way friendlier than the building.

While it instinctively unnerves, the building also attracts me because it elicits such strong emotion. Sure, they’re generally negative emotions, but when living in landscapes hellbent on homogeny, a little Boo Radley in a building is a good thing.

Porter Paints Redux

Halls Ferry & Sundown, Jennings MO
On the northwest tip of the Halls Ferry Circle stands a 1961-vintage building that was originally a Porter Paints store. As a kid in the backseat as we swung around The Circle, 2 buildings always got my attention: the Katz drugstore (now a Save-A-Lot) and this building when it was still all bright orange and cream.

It’s a huge plus that the building is still in use. A closer look at the vertical tower shows the covering coat of paint peeling away, and the classic Porter Paint logo peeking through.

Shortly after having snapped these photos, I got an e-mail from the manager of the Porter Paints store at Hampton & Eichelberger in South St. Louis, MO.

His store looked like this (above) before the remodel. After a green standing seam metal cap was placed atop this retail strip, the lower half is all that remains of the iconic Porter tower. Do you want to know what became of the rectangle sign seen to the right?

It’s now in my backyard! The store manager had salvaged the sign during the remodel, and held onto it for all this time. Having run across this blog entry, he thought I might be interested in having it. He was absolutely correct about that. Huge gold stars to Jonathan Tag for
A. being so cool as to save the sign
B. finding me through a Google search and
C. giving me the sign.
Thank you, Mr. Tag!!

Top of the Towers

Chambers Road & Hwy 367
Moline Acres, MO
The Lewis & Clark Tower still stands as a slightly-raggedy reminder of the brief moment when North County was progressively modern and willing to create the image of glamorous new suburban frontiers. That’s the impression it still gives off to those of us who were stuck with a babysitter so our parents could party here, but childhood impressions are not always reality.

While reading the newspaper at the end of August, the picture of the man shown above caught my eye. He had a real Rat Pack “ring-a-ding-ding” air about him, so I read the obituary. Impression and reality heartily clinked martini glasses when revealed that this man, Bud Dallavis, was the developer of the Lewis & Clark Towers and its iconic, spinning Top of the Tower Restaurant.

Development is listed as beginning in 1963, county records put 1964 as the birth date of the complex, and in 1965 architect George J. Gaza is listed as the only full-time commercial resident. That he stayed until 1967 while the complex was completed begs the question: was he the Tower architect?

In 1966, the place was 100% jumping with at least 7 floors of wedge-shaped residential apartments (now condominiums,) each with two sliding doors out to the continuous balcony, with its own swimming pool and gym in the basement. Businesses on the first two floors of the Tower included Alpha Interior Designer, Donton & Sons Tile Co., Figure Trim Reducing, King’s Tower Pharmacy and a Missouri State License office.

Shooting off the Tower is a strip of retail facing Hwy 367, long-anchored by Stelmacki Supermarket, a rare, independent grocer still unaffected by the continuous grocery wars. The site slopes down to the West, creating a lower 2nd level building which held the Towers Bowling Lanes and the Lewis & Clark Theater (shown below). Occupancy for the complex was robust for 10 years, with an influx of dentists and doctors filling tower spots when others moved out. The Courtesy Sandwich Shop even had a storefront for a bit. The Tower didn’t show any longterm vacancies until the late 1970s.

The remaining claim to fame of the Tower is the long-closed restaurant at its top, Rizzo’s Top of the Tower Restaurant, “the revolving restaurant… a landmark for many years where diners could view the downtown St. Louis and Clayton skylines, as well as the Alton river bluffs.” Considering how popular it once was, and how its myth still lingers, there’s surprisingly little information to be found about it. Internet searches only turned up a fuzzy photo of someone’s matchbook collection which includes a Rizzo’s cover, and entertainer Tony Viviano, who seems a natural to have performed in the joint.

While visiting with my father, Rich and his wife, Ann, I asked if they ever ate at the Top of the Tower Restaurant, which became a rapid fire series of memories of the place, starting with Rich saying, “You know there were supposed to be 2 towers, right? Which is why it’s plural Towers.”

No, I didn’t know that, but that does explain why the building ends the way it does (shown above) and why the land closest to Chambers Road has remained vacant all these decades. So what happened to the other tower? Rich says that the company who originally owned it ran into some problems of partners stealing from each other, which left no money.

I tell him about the obituary for the developer whose name I couldn’t remember, and Rich asks, “Was it Bud Dallavis? He was the public face of the Towers, head of Quick Realty,” which the obit later confirmed as correct. I countered that the man pictured was really good looking, to which Rich says, “Yeah, that has to be him,” and to which Ann responds, “We were ALL really good looking at the time. We were a handsome group of people.”

She was not bragging, just stating fact. This was suburbia in the mid-1960s, post-JFK assassination, mid-Beatles revolution. Rich and Ann were a part of the World War 2 and Korean War vets who left North St. Louis city in the late 1950s for the greener (and whiter) lands of burgeoning North County. Watch Mad Men to know exactly how they dressed during the work day, how they gussied up for frequent evenings out.

And Rizzo’s Top of the Towers was a popular, happening spot for them. The restaurant was turned out in the finest china and table linens, the food good. Was it expensive? Indicative of the times, Ann responds, “I have no idea what the bill came to at the end of the night. Women never saw the bill because we never paid.”

To which Rich tells tales of the endless rounds of free cocktails courtesy of Dick Grace, the Towers bartender commonly called “Buttsey.” Buttsey had perfected a way to look like he was taking money and putting it in the cash register, but it usually went into his pockets, and lingering guilt led to lots of rounds of “on the house.” Mr. Grace was found dead in his bed in the Towers apartments in the mid-1980s, a fatal heart attack at the age of 49, all those cuisines, cocktails and cigarettes catching up to him. By that time, the Towers and surrounding area were pretty much ate up by neglect, with all the original pioneers heading ever-further away.

The rest of their memories just further cemented the vibe the building gives off to this day. Even though well-past its glory, it’s still in service. Most of the store fronts (shown above right) are occupied, and the Tower balconies are dotted with an endless series of satellite dishes, BBQ grills and plants. Heading out in any direction from the Tower reveals dozens of commercial buildings that followed its modern lead, now-shabby ghosts standing in the shadow of the Lewis & Clark Towers. May they all remain until the time they are brought back to life as proof that just once, for a short space in time, we had fabulous optimism for the future.

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Ralph Clark Pharmacy, Overland MO

Above is a construction photo, circa 1945, of the building that still stands at Lackland & Brown Roads in Overland, Missouri. We see this photo now because a relative of the man responsible for this building saw this post, and shared some of her personal family treasures.

Other than new replacement windows on the second floor, the building remains remarkably unchanged and just as vital as the day it first opened for business.

Cerelle Bolon of Phoeniz, AZ sent me all the b&w photos shown here. Her late uncle Ralph Clark (shown below) was the owner/builder/pharmacist of his namesake building. Cerelle writes:

“I am his sister’s daughter, and we visited there every summer. It was great to see it still preserved and looking good! I mentioned this to my mother, Mildred Clark Bright, who will be 100 on October 28th, and she said that Uncle Ralph was so proud of that building and his profession. And rightly he should have been.

My mother and her six siblings were raised during the depression, and their father, who had started as a blacksmith, later took a job in a foundry in St. Louis. He rode two buses cross town from Wellston to work.

All of their children became well educated. Three of the brothers became pharmacists, and one brother, Glynn Clark, graduated from Washington University (as did I in 1959), became a Marine lt. Colonel and an educator. He eventually became president of Meramec Community College in Kirkwood. My mother was an elementary school teacher for 35 years.

“This is just to let you know how happy I am to share my pride in my family’s well-deserved accomplishments, and I am happy knowing that Uncle Ralph would have LOVED to know that you are still proud of his building.”

I adore the internet for 2 reasons.
#1: fine people like Cerelle can contribute their pieces of the larger puzzle because
#2: the built environment means something to all of us, and cyberspace gives the hoi polloi a place to share the joy.

It’s not just the privilege of architects, city planners, professors and developers, but is a part of all of us. We do not need to know text book architectural terms to know what is beautiful, useful and essential to us. We live and work in these buildings within our communities, and (to paraphrase Wilde) though all of us are in the gutter, some of us are looking at the brick work, fenestration and pride of place.
Thank you, Miss Cerelle!

The River Roads Memorial Garden

river roads demolition

River Roads Mall, Jennings MO
River Roads is now, for all worthy detail, gone. A vertical ruin of what was the JC Penney building still stands, and the grocery store (which started life as a Krogers) is still open for business. Everything else is a mound of debris or a throbbing hole in the ground. This has been a leisurely demolition, lasting about 18 months with still more work ahead before any new construction can happen.

river roads architectural pieces

My anxiety over the River Road Ruins is officially over. The white, turquoise and aqua tiles littered all around and always just out of my reach (photo above) are now gone, there’s nothing left to save. So, that chapter of the River Roads story is done, but I’ve had a new chapter of the story writing itself in my backyard.

dillards architectural pieces

With several pieces of the former Stix, Baer & Fuller building piling up in my yard, the idea to use them as a garden border popped up. After cutting through backbreaking zoysia to create dirt beds, it was a strange thrill to layout the River Roads pieces into a whimsical, mid-century modern garden chain. By the middle of May, perennials and annuals had been planted, and it was just a matter of watching it grow.

river roads mall leftovers

river roads memorial garden pieces of dead mid-century malls in St. Louis County A sidebar to the River Roads Memorial Garden is shown above. The hexagon is part of the interlocking Stix wall that faced Jennings Station Road. To its left (in front of the hosta) is a piece of the original Cross Keys Shopping Center in Florissant MO  that was demolished in 2003. What looks like a “P” to the untrained eye is actually the mangled “R” rescued from the main Northland Shopping Center sign in 2006. There are also various other pieces of Northland in this tableau, which underscores why I had to do something vaguely useful with all these pieces junking up my backyard.

stix baer and fuller architectural tiles with zinnia

sunflowers

This has been my first true flower garden, so it’s been an education. One thing I’ve learned: sunflowers are scary beasts. They are too tall for comfort, and too heavy for their own stems to support them. Once the flowers finally arrive, they offer about 5 days of gorgeousness before morphing into bedraggled UFOs that become dangerous projectiles in summer thunderstorm winds. This is the debut and finale of sunflowers in my yard.

river roads memorial garden

A round of applause goes to Wendy Fischer for helping to dig the flower beds and providing much-needed enthusiasm to make this project happen, and to Cyndi Woollard for adding pieces of her world-class garden to my starter kit.

Streamline Moderne in North St. Louis County

11851 Benham Road
Unincorporated North St. Louis County, MO
I’ve admired this house for decades because of its simplistic deco beauty, and that it’s such a rare creature in this part of far North County. Near to where highways 367 and 270 meet, if the architecture is not commercial or Christian Northeast Hospital, it’s the standard ranch issue of suburban towns developed in earnest during the mid-1960s and on. But this little gem went up in 1935 or 1938 (depending on which records consulted), when the area was decidedly rural and Dunn Road was the highway system.

The St. Louis County Parks inventory of historic buildings reveals it was originally known as the Everett D. Fry House. The home is 2 stories, 2 bedrooms, 2 baths, central air and 1964 s.f., with an ingenious carport/terrace double-duty spot on the south elevation. During the time I’ve been acquainted with it, the place has always been pristine, and modest about being a white rose among carnations. But in the 21st century, it got a little raggedy, and for over a year the home has been vacant.

On my last visit, I found the above signs in the window. A search for available FannieMae properties does not list this place, and after a number of owner changes in the past several years, it now belongs to an LLC, who bought it for $93,000.

Highway 367 is just about finished with a major (and much-appreciated) overhaul. Benham is a 2-lane road that parallels the highway. As the highway revamps, many of the ranch homes on Benham – north of this site, – have been bought and torn down. I’m assuming new homes will rise up in their place, but it could just as easily swing into commercial use; this part of town is transforming rapidly after a long period of stagnation.

This house would be a dream achievement for certain types of residential art deco aficionados. But there are now so many physical and market-driven barriers piling up around it that the prognosis is bleak. Another “that’s a damn shame” may be added to the list.

2010 UPDATE
This home has been bought and is now fully occupied, with vehicles parked in the carport and a tidy yard. Thank you to whomever saw the beauty of this home!