MCM Library: The Lewis & Clark Branch

9909 Lewis-Clark Blvd (aka Hwy 367)
Moline Acres, MO

Having recently visited 2 different libraries within 30 minutes in South St. Louis City, I got to reminiscing about the importance of libraries to our communities and to my personal history.  Which reminded me that the St. Louis County Public Library system has a written plan to eventually demolish the Lewis & Clark Branch in North County.  NOCO did a brilliant job of reporting this last year.

I am all for modernizing libraries to serve a new century; in St. Louis City, they have spent (and continue to spend) millions refurbishing existing libraries, and have done a brilliant job helping historic buildings remain vital and indispensable. St. Louis County is now in the middle of appraising their stock, and it’s troubling that their first thoughts are to demolish rather than refurbish.

Especially when they have a branch like Lewis & Clark, designed by renowned architect Frederick Dunn.  His works are so important that Esley Hamilton will be speaking about it on October 17, 2010 as part of the Landmarks lecture series. And his groundbreaking church in St. Louis Hills was covered here this past summer. So, from the perspective of historic preservation, the Lewis & Clark Branch is clearly a contender on the name of Dunn, alone. Enlarge the aperture to include the context of its place in a developing North County of the 1950s-60s, this library gains even more reasons to be celebrated and elevated with a sympathetic update and remodel.

After WW2, North St. Louisans drove out Broadway to the Halls Ferry Circle into North County, which found Hwy 367 building up rapidly with businesses and homes.  In the tiny inner-ring suburb of Moline Acres, they built this library in 1963, and right next door in 1964 they built Top of the Towers, which became the hub of everything that was cool, sophisticated and modern. Read more about Top of the Towers here.

This nucleus of activity allowed ranch home subdivisions and churches to spring up around them, and an exploding population contributed to the spread and dominance of far North St. Louis County. These are important chapters in the evolution of Metro St. Louis, especially because high design and skilled craftsmanship were still a standard part of our progress.

On a personal level, this building means a lot to me. By the mid-1970s, my divorced mother and I were living in nearby Black Jack, and money was tight, leaving no babysitter budget. My mother came up with the brilliant idea of using this library as a free babysitter for her grade school child. At least once a week, she dropped me off at the front door and let me know “you have only one hour to pick out books for the week.”  This turned out to be an hour of productive freedom for both of us.

An hour never seemed like enough time, so I had to stay focused on researching and procuring before time was up, constantly looking over my shoulder at the clocks on the wall to make sure I got to the check-out counter before my mom arrived. This kept me well-behaved and quiet while stockpiling books and records that fueled curiosity and expanded knowledge. It also bolstered my sense of responsibility, independence and love for a building that felt like my personal playground.

The historical importance of a building comes from its design and its contributions to the community it served. All of the National Register buildings in Metro St. Louis made it onto the list because of these factors, and all of them required additional updates and remodeling to keep them viable for the present and the future. The Lewis & Clark Library falls into this category, and as we wade into the historical importance of mid-century architecture, it deserves much deeper thought than the wasteful decision to demolish.

MILESTONE: Mid-Century Modern Subdivision on Missouri’s National Register of Historic Places

Ladue Estates Subdivision
Creve Coeur, MO

For St. Louis fans, connoisseurs and scholars of mid-century modern architecture, know that a milestone moment has happened: Missouri has its very first post-war subdivision on the National Register of Historic Places.

St. Louis County is worrisome for Atomic Ranch lovers because it feels as if they’re being demolished the very moment after they are appreciated for their historical grace. The original post-World War 2 owners who embraced this architectural style and made these neighborhoods possible are leaving behind significant homes that become vulnerable to the tear down developers.  Here’s the tragic tale of an exceptional Ladue home that was demolished for a McMansion.

But in the face of fears that a lack of architectural appreciation and zoning laws will tear down important chapters of St. Louis history comes the first ray of hope: Ladue Estates was added to the National Register of Historic Places in May of 2010. And on October 1, 2010, St. Louis preservation luminaries such as Esley Hamilton and MiMi Stiritz were at the intersection of Ladue Road & West Ladue Estates Drive for the dedication ceremony.

But what makes this particular moment particularly sweet is that it was NOT brought about by architectural scholars, well-meaning activists or public servants. Ladue Estates was granted ground-breaking historic status because its RESIDENTS recognized its beauty and significance, and worked to make it official. And talk with any resident to learn that the hero of this triumphant tale is Lee Ann Baker (above left), while Lee Ann is quick to point out all the help she received over the 3 years it took to complete the National Registration form.

Take a moment to look through the fascinating history of Ladue Estates in this pdf of the winning application.  Note that it is 76 pages long because it extensively covers all 80 homes in the post-war subdivision, as well as the original builder and architect, and the Jewish heritage of 3/4 of the original owners. Then note that there are architectural historian professionals who are paid good money to research and fill out National Register applications for projects  a quarter of this size. Which is what makes Lee Ann’s accomplishment all the more amazing; it was truly a 3-year labor of love for a neighborhood they adore and want to see protected in perpetuity.

For the dedication ceremony, MiMi Stiritz read aloud this letter from the Missouri office of Historic Preservation:

…(Ladue Estates) represents a collection of high-style ranch houses that are nearly pristine in their historic appearance and setting. As one of the first luxury subdivisions in the area, it additionally reflects St. Louis County’s westward growth into what was primarily rural land. Its wide lots, expansive lawns, attached garages and sprawling floor plans epitomized the suburban dream of the post-war years.  In fact, Ladue Estates is such a good illustration of the suburban boom, it has been used as an example by staff of the National Parks Services National Register of Historic Places program in training classes.

The significance of Ladue Estates for its architecture and role in the development of Creve Coeur is easily apparent. What is not as obvious is its significance for cultural heritage. Over ¾ of the original owners were Jewish. At the time of Ladue Estate’s construction, there were still prejudices that resulted in restrictions as to where members of the Jewish community could re-locate. Built by Ben Goldberg, the Jewish owner of Goldberg & Co., Ladue Estates proved to be a welcome location for Jewish families who wanted a piece of the suburban life.

Shortly after the Ladue Estates development, the surrounding area became the home of several Jewish establishments including synagogues, educational facilities, and social and community services. While it would have been easy to nominate Ladue Estates for architecture and community planning alone, the citizens of Ladue Estates went the extra mile to bring this valuable information to life.

Finally, the state historic preservation office applauds the efforts of the citizens of Ladue Estates. They nominated this district through their own time and dedication. Their pride in their subdivision is evident and serves as a shining example of historic preservation efforts on the local level.

Being invited to such a milestone moment in mid-century modern preservation was an honor. Even better, it was an absolute joy to meet, tour the homes of and talk with residents of this enclave. They are a friendly, vibrant and industrious group of people dedicated to the care and maintenance of a subdivision they recognized as special long before retro-modern became fashionable. For them, it’s about the quality of life from an abundance of natural light and green space, accessible single-level floor plans and Old World craftsmanship that makes these homes as solid as they are beautiful.

Their conversations about 12-foot thick concrete foundations, window replacement, seamless room additions and architecturally compatible updates on their 54-year old homes have the same intensity of detail and passion as those working on their 102-year old home. And their glee in being able to show us one of the few remaining original ktichens was almost as great as our awe upon seeing this:

An entire kitchen of original GE metal cabinets in teal blue (the other original color choices were pink and pastel yellow)! In the picture above, you see the open door of one of TWO refrigerators, with the freezer to the right. And TWO wall ovens. AND they all still WORK!

To see more photos of this kitchen, other homes in Ladue Estates and the Dedication Ceremony, visit this Flickr photo page.

Learn more about this historical milestone neighborhood at the Ladue Estates Subdivision website.

And I want to express my deepest gratitude to Lee Ann Baker and every person who helped her undertake and complete such a gargantuan effort. The residents of Ladue Estates epitomize the intent of this very blog: the built environment in layman’s terms with special emphasis on the beauty and quality of mid-century modern architecture. So, they are my personal heroes, and as groups like Modern StL move forward with the preservation and celebration of St. Louis Modernism, we look to Lee Ann & Friends as a glorious example of worthwhile dedication and eternal inspiration. Thank you!!!!

B.E.L.T. is an RFT Best Of!!

A huge, tears-of-joy sobbing thanks to the Riverfront Times for naming B.E.L.T. the Best Local Website.  And another round of gasping gratitude to all the Facebook friends who broke the news to me on my Wall. That gave me a bigger jolt than the espresso I’d yet finished.

This is especially poignant because I’ve been feeling guilty about not having enough time to post, lately. Plus, I’ve been working on my magnum opus – a mid-century modern study of Hampton Avenue – ALL of Hampton Avenue, which turns out to be much longer and much more cram-packed with MCM goodness than previously known.

I’ve got blisters on my feet from surveying it, the librarians now know me by name from all the City Directory research I’ve been doing, and there’s not enough hours in the day to complete it. And I wonder “WHY do I invest so much time in this avocation?” Then B.E.L.T. gets a nod like this, I feel all Sally Fields-Oscar inside and realize that my love for St. Louis is not a wasted effort.

Deeply, truly – thank you.

Making a Scary Building Friendly?

I swear I don’t like this building anywhere near as much as it would seem from as much as I write about it. The building actually unnerves me and lots of other folks who grew up in Florissant. Read the original BELT entry about the Halls Ferry Medical Building.

In Summer 2008,  water damage was causing the hat band cornice to crumble and get all gray and yucky, which just added to the building’s macabre allure. Then a tad over a year later, new owners were correcting the problems. Read how the monster building rose from the grave.

Another tad over a year later, and they’ve painted the raised cornice panels a shade of biscuit? Beige? Tan?
Why?

Are they thinking this will make the building seem warmer, more friendly? And does it? This is not a rhetorical question; I have yet to form an opinion other than “paint it all white, maybe?”

They are doing work to the bedraggled parking lot, and had to re-do the original sign to flaunt all their new tenants:

This is nowhere near as cool as the original signage, which was the only friendly thing about the building…

…but I’d rather see a full building than a cool sign on a dead building.

I remain mystified by, and grateful to the new owners who are putting (curious color) thought and money into making this building useful once again. Every new tenant is tax money for Florissant, and I love that they are re-using an existing building (no matter how unnerving) rather than demolishing and building new.  And let’s be frank: to have left this building sitting vacant and rotting would have traumatized a new generation of children in ways far worse than it did us.  So, a round of applause to the new owners, and if they want to take it up a friendlier notch or two and paint the place pink and aqua, I’m on board with it!

Louis Sullivan’s Lions

705 Olive Street
Downtown St. Louis, MO

St. Louis has an 1893 Louis Sullivan and Dankmar Adler building on the National Register, the Wainwright Building, which ranks as either the first or second (depending on whose counting) skyscraper built. Not as well known (even to my Architectural History & Theory teacher in college!) is that we have a second Sullivan & Adler building that survives to this day. On the northwest corner of 7th & Olive is the building which was designed as the Union Trust Building. Starting in 1902 it began a series of name changes: St. Louis Union Trust, Missouri Trust, Central National Bank, Lincoln Trust, and finally, to the name on its National Historic Landmark plaque, The 705 Building.

It also went through some serious remodeling, including a 1905 addition by Eames & Young on the north end of the building. But the most heinous crime was a 1924 remuddle which scrapped off the exterior of the first two floors. Here’s what it looked like from 1893 to about 1923.

Aside from the circular windows that still survive on the alley side of the building, the upper 13 stories have remained intact, including the lions shown above.

Typically, I dislike parking garages. But when the roof of a parking garage puts me this close to my beloved lions, then I really dig this parking garage, and don’t mind having had to pay $5 to use it!

To the right in the above photo is the Railway Exchange building, where I worked for Famous Barr advertising for 13.5 years. For half that time, we were on the 8th floor, and the Advertising President’s office looked down on these two lions. The the fool sat with his back to them!

When he was out, I’d sneak into his office to gaze lovingly at them; they were both inspirational and a sedative for deadline stress. They also got me in trouble when I was caught hanging out the President’s window with a camera, trying to get a shot without a dirty window between me and the lions.

And now 10 years later, a parking garage that I was forced to use on a Sunday afternoon has given me the closest, clearest access to all the lions. It was the best kind of September Sunday St. Louis Serendipity!

“If I’m feelin’ tomorrow like I feel today…”

“…I’ll pack up my truck and make my get-away.”

Pedaling on a Sunday morning through that woozy boundary line of The Patch and Carondelet neighborhoods, when the sight above made me hit the brakes. It was the embodiment of an old river city, the poetry of mud and W.C. Handy blues.  The metal chair is now all 5 layers of colors, all decades at once; the past is the present and if you think it won’t see much future, they been sayin’ that since I Like Ike.

The CSB has reams of complaints on this ram-shack-le, plenty claim “Derelicts on Private Property.” In the Great Depression he’d have been out-of-working class – how dare the neighbors cast judgment! …Oh, they were vehicular in nature! Not gonna make a Sanford & Son crack, even though Redd Foxx is a St. Louis native.  Just a couple of Canon shots, hopin’ there’s no slingshot through the metal blinds aiming at my head, and slowly pedal away.

Introducing Modern StL

The Arch is the global icon of modernism, and it is the front door of St. Louis.  We have a glorious collection of mid-century modern buildings and neighborhoods, and we’re overdue in celebrating and protecting these assets.

This is why we have formed a new non-profit group – Modern StL. We strive for the identification, education, preservation and celebration of St. Louis Modernism. We have plans for many different types of events (how would you like a walking tour of Ridgewood with some words by its architect Ralph Fournier?) and seminars, and swag, and on-line forums and… the possibilities are endless.

The group met for the first time in June, and we’ve only recently incorporated with the state of Missouri. So we have a lot of work ahead of us to make everything official – including levels of membership and our first major event – but in the mean time, we invite you to explore our website in progress:

www.modern-stl.com

To stay in the loop, please follow us on Facebook and Twitter. And we look forward to connecting with all St. Louisans who love St. Louis’ fabulous mid-century modern treasures.

Modern StL Founders (l-r): top row - Nathan Wilbur, Lynn Josse, Michael Allen, Neil Chace, Darren Snow, Jeff King & Dan Semar. Bottom row - Amy Burger, Toby Weiss & Michelle Kodner

Mid-Century Modern Subdivision Crestwood Hills

Crestwood Hills Subdivision
Crestwood, MO

On Watson Road at Sturdy Dr. – between Sappington and Lindbergh – is this crazy pair of mirrored buildings (Dental Centers North & South) from 1974. They’re festooned with every 1960s commercial architecture trick – even lava rocks! – as if they picked up all the litter after the mid-century party was over and fashioned it into a house dress. One day I got curious about the neighborhood behind these wacky buildings, so headed down Sturdy Drive and landed in a small subdivision dotted with houses like the one above.

Crestwood Hills lays out in, roughly, the shape of a pitchfork, with the spikes ending at East Watson Rd (aka, Hwy 66), encompassing only 6 short streets. County property records show that all of them were built between 1955 – 1957, but the wide and unending variety of styles gives it the look of unfolding over a longer period of time.

It’s apparent that a goodly number of the homes still house the people who originally bought them in the mid-50s. Then there’s an encouraging handful of homes (like the one above) that have been bought in the last few years by younger generations who know what they have, were happy to get it for under $175,000 in desirable Crestwood, and are lovingly reviving its mid-century modern ranch beauty.

Drive through this neighborhood and you’ll get whiplash from trying to take in all the different types of homes. So it’s better for your neck if you walk it, but there are no sidewalks. That’s one hallmark of a classic mid-century suburban neighborhood – they more often than not did away with sidewalks. Was that a budgetary decision? Or was the love affair with how the automobile could transform every fiber of daily life raging so hard that they imagined no one would need never walk again?

But I do love how the automobile figured into the layout of these homes. Even a fairly typical traditional ranch home like this got the carport. And it’s not just a place to park the car, but also sports a utility shed under the sloping roof and a flower planter, with both anchoring the open end of the house. I also love how this carport lends transparency, as you’re able to peer straight into the backyard.

And in the spirit of no two Crestwood Hills houses being exactly the same, the developers used the same basic floor plan for this home, but changed out several details and finishes to make it wholly unique. I’m guessing that screening in the carport was a later remodel by the owners, which is cool. Several of the homes have turned the carport into a garage, which is a standard renovation. But it’s astounding how many of the original carports remain in tact.

And we pause from all this atomic age fabulosity for the Smith Sturdy Cemetery. On East Watson, between  Gayle Avenue and Fox Park Drive, this tiny little burial ground with, maybe, 50 tombstones, just pops out of nowhere. It’s both disconcerting and intriguing, and because I can find no solid background information, it remains a mystery.

There’s a sub-species of homes in this neighborhood that fascinate me because they have no traditional front door. The designers and/or developers just dispensed with such a quaint notion, and planted a chimney where a front door should be.

And here’s another example of how the main entrance to the home is under the carport. Which underscores the new informality that was middle America in the middle of the 20th century; it was perfectly OK for your guests to squeeze between the cars and the house to knock on the door. Think about how many times you’ve been to someone’s house where they leave the overhead garage door open so you can come through the door that leads into the kitchen, rather than the formal front door. Well, with a house like this, you don’t even have to go through the trouble of opening a garage door and exposing all your junk to the world. It just is!

And because of this odd entrance situation, this may be why so many of the homes similar to this one leave the carport intact, because how else would you get in without going into the backyard?

This home highlights what happens if you decide to mess with the basic floorplan and close up that carport. Follow the fascia line to the right of the chimney and you can tell they added on this covered porch around a new front (well, side entrance, actually) entrance. But the driveway still leads up to what was the carport… so how do they get into their house when they get out of the car?

Every other house in Crestwood Hills is a fairly standard sturdy brick ranch home, which was rather clever of the developers; might as well appeal to the traditional as well as the pioneering and recoup the building money as quickly as possible.  But even with a ranch as traditional as this one, above, they throw in a few modern details that lets it blend nicely with the more adventurous homes around it.

Crestwood was once a boom town, increasing its population from 1,645 to more than 11,000 people between 1950 and 1960. They couldn’t build ’em faster than the folks were moving in, but they tried. This neighborhood went up in 2 years, and I admire the richness of variety and detail that went into such a hasty project.

Of interest is that the more traditional homes tend to have basements (above), while the decidedly modern homes are slab on grade. Though sometimes an unassuming brick and vinyl will also be slab on grade. What made them decide to change it up like that? This makes me think they’re may have been more than one developer/builder mining this neighborhood.  If anyone has any background information on Crestwood Hills, please please fill us in!

Remember the house above that walled in its carport and created a porch on the other side? This is what it most likely looked like before the extensive remodel. And I love how they created a semi-circular drive in the front lawn, an ingenious way to get more cars onto the property while also adding a nice new bit of geometry to the overall look.

Look at the generous screened porch on this one! And how the semi-open porch and the completely open car port are embraced by the sweeping roofline. This 1957 home is 1,344 square feet, but it looks so much larger because of the fine balance of indoors and out.

The square footage of all these homes range from roughly 1,200 to 1,500. Back then, for a family moving from the city, it was a step up in elbow room. Somewhere in the 80s and 90s, it was considered too small. But a little over 50 years later, living in under 2,000 s.f. makes all kinds of sense if you want to pay your utility bills and eat. We’re struggling through a Great Recession, but I call it The Great Reset; we were living too large on money we didn’t really have, but the meter’s been reset and, out of necessity, we’re cycling back down into a more modest and humane way of living. And that’s why homes like these – when they’ve managed to survive unscathed by teardowns – become a great asset: we can afford to live in them and they’re beautiful and well-built. Try getting all 3 things like that in a just-add-water cul-de-sac village in the exurbs!

At 1,924 s.f., this appears to be the largest home in Crestwood Hills, and also the most dramatically modern.  Look at those Neutra-esque bent columns holding up the carport! So cool that it (almost) distracts one from the hideous shutters someone slapped onto the home in later years.

The homes in this neighborhood remain so basically intact 50+ years on that it melts my heart. How did they mange this? Is it because of the wide range of styles? Or that it remained such a stable neighborhood for so many decades? I really need to know! So, again, if any of you grew up in this neighborhood or know anything about it, please share some details.

Everyone Loves the Granite City Steel Building Except Granite City

Granite City Steel Building
State & 20th Streets, Granite City, IL

Head to the very heart of downtown Granite City, Illinois and you can’t miss this building. It’s impressive in its scale, massing, coloring and dominance in the downtown landscape.

I refer to it as The Arch of Granite City, in that it’s loaded with stainless steel, and because it’s the tallest object downtown, it’s always within eyesight and easy to get your directional bearings based on where you are in conjunction to it.  Going back to the stainless steel,  the main entrance on State Street is a riot of burnished silver metal, bordering on over-the-top.

Actually, the whole building flirts madly with kitsch, from the vibrant turquoise metal panels that define one wing and accent another…

…to the geometric grid overload of the window frames along the 20th Street side (they even tart up the promenade ceiling with the random grid pattern).  It gives one the feeling of walking through a monochromatic Mondrian painting, yet it’s never chaotic, just busy like a young middle-level executive eagerly working his way toward upper management.

Though we made need to rethink the “chaotic” part with the discovery of the original color of these metal panels. As we work our clockwise around the building, you will see these vibrant orange metal panels still intact elsewhere. But it is flabbergasting to realize the original designers of this building went for the unabashed, ultimate 1950s color combo of orange and turquoise writ large, and it’s even more astounding that an ultra-macho industry like steel said yes to the concept! It also makes sense that once the Earth Tone 1970s came along, they felt the need to tamp down the Howard Johnson’s exuberance, and I do admire the color choice they made.

Here’s the money shot for everyone who takes a picture of the Granite City Steel Building, and that’s because it’s irresistibly cool. Even people who are not fans of mid-century modern architecture instinctively understand the geometric allure of this view. All the themes of the building meet at the blond brick tower that uses its lone wolf status as an opportunity to interject another rectangular grid as a vertical bas relief.

Do a quick search on Google or Flickr and you’ll see this view several times. Actually, you’ll find a fair amount of photos of this wonderful building because it fascinates St. Louisans. But try to find any information about it – either historically or currently – and it feels like Granite City doesn’t remember that it exists.

When someone like Rob Powers of Built St. Louis (who has the first and definitive overview of the building) can’t find the build date on this building, something’s really off. Granite City has a good website, with a great timeline of the evolution of their city, and of course the Granite City Steel mill is a major plot point, but nary a mention of the huge-ass, vibrantly colored corporate headquarters it built in the heart of downtown. You do see a small glimpse of it on Slide 2 of a July 2006 “Rediscover Downtown” presentation (click the “Downtown Redevelopment Presentation” link at the very bottom of this web page), but even as they talk of turning the part of downtown where it resides into an Arts & Entertainment district, no mention of a building that was surely a big deal on every imaginable level when it was originally built.

(UPDATE: And here comes Michael Allen to the rescue yet again! The building is from 1958 by Sverdrup & Parcel!)

My guess is that the building dates to 1957. From the choice of materials, bold color combination, simple horizontals crashing into soaring verticals, and designed with the car in mind, it is most definitely a late 1950s concoction. Take a look at a Rob Powers photo of the lobby and try to debate otherwise. By the time the 1960s were underway, architectural design became more about unique massing and creating shapes with natural, sedate materials, whereas the 1950s was just giddy with joy. And even though this building does a good job of conveying strength and masculinity, it is also sexually secure enough to revel in some flaming fruitiness in the heart of an old, work-a-day manufacturing town.

I’m also going with 1957 based on the large expansion of the Granite City Steel mill in 1951, which brought more jobs and more citizens, respectively, thus requiring a large corporate office. Plus, the auto parts manufacturer A.O. Smith opened a new plant nearby in 1954, so there was plenty of positive, economic activity to make the expenditure to build a flashy show pony for Granite City Steel a safe bet.

Facing Edison Street is the main entrance to what has always been a bank (until now because it’s vacant). Here you see the untouched bright orange metal panels above the doors.

Because United States Steel bought the place in the early 20s (and renamed it Granite City Works), the rest of the building is still very much occupied. And they have done a fairly good job of keeping it in good condition (save for allowing deterioration on the bank wing). There are no signs of obvious remuddling, and if any building would have earned the wrath of a good ‘ole 1980s make-down, it would have been this place. So, for over 50 years, this building has survived intact because someone made sure that it did.

While large swaths of Granite City have been torn down or run down since its 1970s population peak, this building remains standing and occupied. As Granite City works on reviving their downtown with TIF districts, streetscape beautification, and even a brand-spanking new 3-screen movie theater nearby, this building casts its Atomic Googitude all over the revival.

Yet the city does not acknowledge it in any way that can be found by hours of internet searching. While it was still relatively new, they touted it in their 150 Year Celebration, but today it’s the 100 Ton Turquoise Elephant in the room?

This may well be a classic case of older generations not appreciating something they watched going up in their lifetime, that it has not yet earned historical merit because it’s still considered “new.” Also, the building is not in danger because it’s still serving its original functions, which is heartening. But it’s still curious as to how something so large, so tall, so beautiful, so dramatic and so productive can be so fully ignored by the fine folks of Granite City.

Mid-century modern architecture enthusiasts in St. Louis consider this a destination building, something to be celebrated and admired, especially since all the owners of the building have worked so hard to preserve its mid-century essence. Here’s hoping that Granite City will eventually start throwing some love and pride its way.

Join with City To River on August 18th

On August 17th, 2010 we get to see the 5 design concepts for The Arch grounds. On Wednesday, August 18th, you should come to the Schlafly Tap Room to see the designs up close and leave your comments.

This event is sponsored by City To River, a grassroots coalition of St. Louis City residents who love our City so much that they are working overtime to make it even better than it already is. This makes me so proud that I get misty eyed. Seriously.

Ray Hartmann was right about City To River when he wrote in the August 2010 issue of St. Louis magazine:

“What’s most amazing about the idea (of removing the highway) is how it’s come forward as the evolving dream of a bunch of heretofore-unknown, regular-guy, not-all-that-connected citizen bloggers. I met with three of them – Rick Bonasch, Paul G. Hohmann and Alex Ihnen – and still can’t tell you who’s in charge. They are as ego-free as any group of activists I’ve met in three decades on the job.”

This Wednesday is your chance to meet these 3 stand-up guys (and all the other wonderful folks in the group), and to see and participate in the future of The Arch grounds and the strengthening of our beloved Matriarch of the Mississippi.

If you’re on Facebook, here’s the invite to the event.

And if all this wasn’t enough to draw you out, there’s also St. Louis Trivia, hosted by Matthew Mourning and Randy Vines!

This is the place to be on Wednesday, August 18th. I’ll see you there!