A Few Blocks of Gravois on a Sunday Morning

Gravois & Quincy in the Princeton Heights neighborhood
South St. Louis, MO

There’s been some renovation work going on at the Jimmie’s Saloon building (built circa 1906). Permits are taped to the windows, and one day, all of the 2nd story windows were gone in anticipation of replacements.  As happy as I am to see it coming back to life, I worry about the fate of the signage… will they keep it in place? Oh please, say yes!

So I had other places to be on this Sunday morning, but stopped just a moment to take a few photos of the signage, and peer through the windows to see what they’re up to. Then I started looking around and in that moment of looking I finally SAW this part of town, and I just kept walking and snapping, totally gaga over finally seeing the truth.

I saw that in the same block we have two head shops. I’ve been in one of them before, but can’t quite remember which one it was, heh heh. This started life in the early 1920s as a Kroger grocery store, and also housed Southside Cyclery before they moved to a bigger space just on the other side of the Jimmie’s Saloon block.

I saw that from Quincy to Kingshighway, this section of the Princeton Heights neighborhood was dense and alive and useful. It was everything we remember/crave in an urban environment, and it’s all going on without any revitalized fanfare because it just keeps on keeping on.

The head shops are divided by a building all vacant and boarded up, slightly forlorn, but look at that entrance!

This building is circa 1924, and used to be a 5 and 10 cent store.

This block of Gravois is directly across the street from the QT. That side of the Loughbourough intersection has been demolished and given car-centric infill, but the rest remains refreshingly intact and vital.

This place still retains part of the Ragsdale Beauty Shop legacy, evolving into Randy Ragsdale’s barber shop.

This building just recently came back to life with a new business. And even though this circa 1924 building has been greatly altered throughout its life, all it took to abide by the latest tenant was lots of paint, new doors and grill work and some ingenious interior remodeling to be back in action.

This place (built circa 1920) has long been a curiosity to me. It underwent a renovation around 2004-2005, with new windows, tuckpointing, refurbished interior… it was a joy to watch it coming back to life after being vacant for so long. This building is too pretty and in too prime a spot to still be vacant.

Directly across the street is a favorite neighborhood restaurant to walk to. The original building dates from 1908, with a newer bump out. To one side is the suburban-esque tear out for a former 7-11 (and that building is being re-used, which is good), while the other side of Apollonia continues on up the hill without any interruption to the original density. Actually, both sides of this block are uninterrupted, which is a glorious (and rare) sight to behold.

Moellenhoff’s neon sign is an old beauty, but it’s not the original business for the spot. And the circa 1907 building right next door is also owned by the Moellenhoffs, now housing Bo Fung Chinese, which has been there seemingly forever because it’s pretty good take-out. I also love the the nonsensically off-kilter windows of the newer-period street-level bump out.

One thing to note about all the businesses in the blocks between Lougborough and Kingshighway: On-Street Parking. Not a one of them has a parking lot visible from Gravois. And many of the businesses in this block have been there “forever,” so this does not seem to be a detriment. I wish City Hall would take note of this the next time a new city business says they need to tear down a perfectly good building next door for more parking. If you maintain the density of the area, a quarter of the people walk to the place, another quarter takes the bus, and the driving half never seem to have too tough a time with parking to keep them from coming back.

Gravois Glass is one of those businesses that also seems to have been here forever, though the Elvis TCB on the corner post and signage is a relatively recent addition. Which just makes them cool.

I absolutely adore this building, which dates to circa 1948.  With Vitrolite and glass block and stainless steel, it’s simply Retail Art Deco charming.

It’s a minor miracle that the original doors have remained in place, and standing next to them always makes me feel all cosmopolitan and clean.  Need to do some research to see what was originally in these two separate store fronts (or if you know, do speak up). There’s been a few different business in here since the 1990s, and a Bosnian bakery just only recently closed. Here’s hoping new tenants arrive soon, and that the owners continue to baby this fabulous facade because that is the calling card.

Here’s the true King of Forever on this block – Arnold Hardware. Ain’t nothing can dent their productivity, not even the bank and its parking lot that went in next door a few decades ago. That bank killed the density winning streak on this side of the block, but across the street…

…these two buildings continue the chain all the way to a break in “the wall” for the old St. Marcus cemetery/park.  Losito Brothers Auto carries on the tradition of that spot, while the clay tile roof of the tower is always a striking sight (in fact, it inspired one renter of a house behind here to draw it on a bedroom wall!).

I was gloriously lost in crushing hard on these few blocks I’d seen and used a thousand times but never appreciated fully, when I realized I was supposed to be somewhere else and better get a move on. I need to come back with a better camera and also do some research where the awesome website of the Princeton Heights Neighborhood Association has yet to fill in.

And while driving away, I – who does not have a degree in urban planning and such – wondered exactly how did these few blocks survive so relatively intact? How did they remain so consistently vital while other similar blocks in similar neighborhoods did not? Let’s also ponder how little attention they get because they never died and needed oxygen pumped back into its lungs.

The City of St. Louis has plenty of workhorse stretches of original density and vitality that deserve a little lovin’ for takin’ care of business for so long. They may not be glamorous by revitalization standards, but you don’t have to be a star, baby, to be in my show. I just love knowing that you’re always there for us!

Ecology of Absence Has a New Home

The venerable and vital blog Ecology Of Absence has moved to new digs inside the Preservation Research Office, which is Michael Allen’s business and website.

We still have everything we love about EOA as long as we change our bookmarks and RSS feeds to:
http://preservationresearch.com/

And I’m sneaking one other bit of website news onto the tail end of the PRO news…

Defining Downtown at Mid-Century: The Architecture of the Bank Building & Equipment Corporation of America is a thorough catalog of this design-build firm’s work across our nation.

I’ll give you the shortcut straight to the Missouri/St. Louis bits, and you’ll instantly see why this site is so fabulous:
St. Louis MCM by Bank Building & Equip Corp.

Cyber Tour of a Mid-Century Modern Ridgewood Home

Ridgewood Subdivision
Crestwood, MO

As described in the (might as well be official) blog of this renowned subdivision, “The Ridgewood subdivision, located in Crestwood, Missouri, is a neighborhood of 258 modern ranch homes built in the early 1950’s. To meet the public’s growing demand for modern homes, successful St. Louis Developer Burton Duenke, in collaboration with architect Ralph Fournier, conceived Rigewood as a modern alternative to the traditional style homes Duenke had been building since 1946.”

After all these years, the homes vary in their states, ranging from immaculately original to slightly remuddled to needs some TLC. The house shown above, on Liggett Drive, is one I enjoyed watching come back to life.

I was recently part of an exploratory meeting to see if we could establish some type of group that celebrates and catalogs St. Louis’ modern architecture, and one of the authors of the Ridgewood blog volunteered his house for the meeting. When we pulled up to the address given, I cried out, “It’s THAT house? Excellent!”

I had longed to see the inside of the home that was so carefully rehabbed over the past several years, and it did not disappoint. Oh, it was gorgeous and immaculate, and I was wishing I’d brought my camera with me!

Less than a week later, Apartment Therapy provided the photos of this magnificent Ridgewood home. Read about Nathan & Hannah’s home here.

And here’s a shortcut to the full photo tour.

Thanks to Nathan & Hannah for sharing their inspiring home with cyber space, and thanks to Apartment Therapy for having such good taste!

Cherokee Street Sidewalk Sale, June 27, 2010

This Sunday, June 27th is the Cherokee Bizarre Bazaar & Flea Market, in the 2800 block of Cherokee Street. Be sure to walk a few blocks west and check out the Fort Gondo Sidewalk Sale, as well.

Fort Gondo‘s Galen is clearing out his basement cram-packed full of retro furniture, lamps, soda pop history and tandem bikes and throwing it out onto the sidewalk in front of his store.

Buy something from him during 10 a.m. – 5 p.m. and your money does double good:  half goes to pay for nuptials, while the other half helps Friends of the San Luis pay down their last remaining dollars to the lawyers.

Stop by and buy at 3151 Cherokee Street, and tell ’em the ghost of the Hotel Deville sent ya.

Shutters – Why?

Here’s a typical scene in St. Louis Hills – a mid-century modern apartment building nicely appointed with various stone and brick textures to create a pleasing geometric palette.  I can imagine living here, with the generous fenestration that surely makes the rooms seem comfortably large. But then something horrible happened somewhere along the way.

Some misguided landlord decided that the windows on the ends of the building needed cheap-ass plastic shutters! There’s obviously no understanding or appreciation of architectural aesthetics, just some primal urge to bolt plastic where it should not be. This was the final straw of my long-time confusion about – and hatred of – shutters.

There is a specific and finite need for shutters: to control light and air, and/or protection against strong wind, rains and hurricanes. 20th century indoor climate control has taken care of the former, and a finite number of dwellings in coastal areas still need it for the latter. After that, shutters are, basically, the proverbial mustache on the Mona Lisa. And when one insists upon using them as a minor exterior accessory, there is a right way and a wrong way to do it.

A recent article on Retro Renovation addresses this very topic. “Improve Your Home’s Curb Appeal With Shutters” is much more polite about the topic. The closest author Ted Cleary comes to rolling his eyes is when he writes: “Cheap shutters, which are so common that many people don’t even question the look, can give a flat, pasted-on appearance; authentic ones can make all the difference.” He is then very thorough in relaying the “cardinal rules” rules of proper shutters:
• They must be exactly half the width of the window
• They must convey the believable appearance of actually being usable
• The length must match the window’s length rather than standard lengths available at big box home improvement stores

As shown above on an historic home in Webster Groves, authentic shutters have hinges, and when closed they would completely cover the window. Originally, these shutters would have controlled sunlight while keeping air flowing through in the summer or blocking drafts in the winter, and during a storm they protected the windows from breaking. These shutters are cool because they are authentic.

Same goes for these shutters on a Benton Park building. These even have the latches to hold the shutters against the building when not in use. Plus, they are real wood and painted a sumptuous shade of blue that contrasts nicely with the red brick. Well done.

These shutters are not operable, so they are purely cosmetic. But they are the correct size, made of wood with a cute pattern, and their soft cream color serves as a wonderful accent to the overall rustic look of the home, much like the right accessories can really pop an outfit.

I feel exceptions can be made when shutters are truly thought of as a visual element that adds to the dialog of the home’s design, like these shutters (above and below) on standard-issue ranch homes in Florissant, MO. They are the right length, but certainly not the right width. But these shutters originally attached by the builder in the 1960s have an endless array of jaunty motifs that don’t pretend to be anything other than earrings for the windows. This playfulness is charming, and it was a clever way to address that there was no longer a need for shutters unless they could contribute meaningfully to the glossy modern era of suburban living.

But after that, we have an endless chain of mindless shutter application. Somewhere along the way, shutter manufacturers devised a clever marketing campaign that has kept this product as a normal, accepted accoutrement for the average American home, and I’m guessing this campaign was waged during the post-WW2 building boom when it was becoming apparent they were no longer needed. But as millions of homes were being built across the land, the miracle of mass production created a landmine of financial opportunity for plastic shutter makers, and their marketplace savvy continues to this day. Shutters get slapped on new homes as mindlessly as we guzzle soft drinks, and we seldom stop to consider “why?”

Here’s a common sight: shutters only on the front of the home. Granted, this application in Kirkwood is the proper size with hinges, but it appears they blew the shutter budget on the front, leaving the rest of the windows naked. Meaning, if the big storm comes, only the front windows will survive, and woe onto the rest of the fenestration!

Or we have the mindless application of shutters for shutters’ sake.  Casing for electrical wires serves as a Mason-Dixon Line, though which is Union and which is Confederate is open to individual interpretation.  And this home also covers another common problem…

…fit. Proper shutters demand symmetry for operation, but the windows on modern homes don’t always allow for that. So the Pavlovian response of “must have shutters” creates all manner of remedial, lopsided configurations that we tend to accept as perfectly OK.

Sometimes the placement of a window on a modern home strictly forbids you to install shutters, like the left-hand window, above. To carry on the theme would require ordering custom shutters. Off-the-shelf vinyl shutters in standard sizes average $35-$50 a pair, so this homeowner was willing to spend, say, $90 to trim two windows, but they were not willing to spend custom dollars for that last window. This seems a wise decision when compared to…

…this house down the street in the same Shrewsbury neighborhood. They purchased off-the-rack shutters and installed them with gusto until the “uh oh” moment. I like to imagine the day of installation, where he started installing on the right side of the house, and that moment of dread when he came to the last shutter on the left – dang, it overhangs! “But I can’t stop now! Screw it! Up it goes.” And now a small section of the downspout is protected from the harsh rays of the afternoon sun. Everything works, if you let it.

But I am also intrigued by that primal urge to shutter. They have somehow been instinctively ingrained into the homeowner psyche as something that must be done. From observing some homes, it’s obvious that no thought beyond “must shutter” has been “thunk,” and they had to create an excuse to smooth over an awkward situation. But it’s this mindlessness that fascinates me.

Come the deadly Midwest hurricane, at least one side of this bay window will be spared. Clearly, there is no room or need for shutters on the front of this cute little home, but they were compelled to do so. Which reminds me of a good deed done by a friend who works for a corporate home improvement retailer. This employee once stopped a man from committing mindless shuttering.

The customer had just spent money to have new vinyl siding installed, and so “needed” to replace the old shutters that had been removed during the project. He wanted some help in selecting new vinyl shutters. My friend applied the Socratic Method:
How does your house look with the new siding?
Great.
Even with the old shutters gone?
Yeah.
So if it looks nice without them, why puncture your new siding by putting up new shutters?

One could practically see the light bulb go off above his head as he mulled it over. He then said he needed to think about this, and left the store, shutter-less. Bravo! Score one for aesthetic logic!

There is a series of ranch homes in the Affton area that have shutters enforced upon them. The original builder inset the windows in a way that created a need for shutters to complete the frame. One can only remove these shutters by investing in larger, custom-size windows to fill the void. Naturally, it’s cheaper to just buy new shutters. So the original financial agreement between the builder and the shutter vendor remains stronger than a homeowners free will to mold the house in their image.

This homeowner stumbled into the rigidity of this design feature when it was time for replacement windows. For whatever reason, they went with a window shorter in length than the original, so had to create new in-fill at the bottom, and it’s not all that bad. But the new shutters still echo the length of the original window; enthusiasm for jerry-rigging goes only so far?

My favorite category of shutter atrocities is epitomized in this glorious example, above: suspenders and a belt!  This one also evokes the feeling of socks worn with sandals.

Imagine if car manufacturers included mud flaps as a standard feature on all motor vehicles. Yes, mud flaps do serve an actual purpose on a specific type of vehicle, and mud flaps on a Mini Cooper would cause no harm. But it would ruin the line. And they would require some maintenance. And they would get mangy after awhile. While a large majority of new car buyers would motor on without a second thought about the mudflaps, it’s fair to say that maybe a Jaguar owner would step back one day and realize that the mud flaps muss the essence of their refined car, and yank them off, wondering why they left them on for so long. At that moment, mud flap emancipation would feel so sweet!

Shutters are mud flaps.  If they serve no true purpose, yank ’em off, and see if the house looks better without ’em.

Here’s my Number One With A Bullet favorite shutter catastrophe.  On the second level, much money was spent to create and install vertical versions of the John Waters mustache!

And here’s a good example of comically inappropriate shutters vs. no shutters. Are these homeowners purposely breaking free of the shutter shackles? I’d like to think so, but considering the ramshackle state of the rest of this Webster Groves modern ranch (shutters are hanging loose all over), it appears to be that the house itself is lancing the boils, yearning to return to its original shutterless state.

In the early 20s, I worked for a high-end design build firm who were remodeling a Ladue ranch home whose overt Frank Lloyd Wright design had been buried under several remuddles. The new owners wanted that Wright-ness returned. As I was taking before photos, the man told me about the debate he and his wife were having over the shutters: he wanted them removed because they weren’t original while she wanted to replace them with more appropriate versions. He asked for my opinion. I said, “Why pay hundreds of thousands of dollars to restore this home only to mar it with shutters that were never intended?”  It was silent for a few beats and he replied, “Yeah. Maybe if I agree to buying some Stickley antiques, she’ll back off on the shutters. It’s worth a shot.”

This man is my hero. We need more like him.

Farewell to Globe Drug Store on Cherokee

Globe Drugs
2626 Cherokee Street
South St. Louis, MO

The Cherokee Street News broke the news that the venerable Globe Drug store had closed its doors, and got the sentiment right in the headline: 1939-2010. It does feel like a friend has died.

I was expecting a mass outpouring of reports and condolences in the St. Louis press, but so far, only the RFT has jumped on the tragic news. Thank you.

After the initial shock, my first thought was of Sandy Cohen, the son of the Globe Empire begun in 1939.  Sandy was born into this store, and it’s the only job he’s ever had. His enthusiasm and love for his working retail museum never seemed to waiver, and if – from his perch in the pharmacy – he noticed you taking pictures and reveling in the atmosphere, he’d cheerfully offer to take you on a tour.

Sandy would point out that the place was a 905 liquor store before his family took over, and iron grills over the vents in the ceiling confirm that this 1913 building was the home of a long-gone, sorely missed St. Louis cheap buzz tradition, from 1937 – 1953.

A Sandy tour gave you backstage access, which in this case is a ride in the original, unadulterated freight elevator up to the 2nd floor. The door loudly slid open to reveal a vast, dark area used for storage, with still-decorated Christmas trees and unopened Easter baskets scattered about.

And then comes the reveal of a bowling alley?

Sandy wasn’t quite sure if there actually was a bowling alley in the building, or if this was just a rescued relic from elsewhere that found a permanent home in the Globe Museum.

The business office truly was a scrapbook of the history of the Globe, and of the Cohen family, both blood related and extended.

The rendering of the St. Louis cityscape (above) was commissioned by Joe as a way to feature all 4 Globe locations. As of this writing, the variety store on South Broadway near Soulard, and the wholesale warehouse at Clark & Tucker in downtown St. Louis remain open.  The Globe variety store a couple of blocks west of 2626 Cherokee closed in the mid-90s.

Among the hundreds of photos on the walls is a shot of this store when it was 905 Liquors.

And here’s the same ceiling fixture still in place today.

One of Sandy’s favorite mementos is a letter he received in 2008 from someone confessing to having stolen candy from the store when they were 10. They apologized and sent along this dollar to pay for what they took.

Globe Drug was one of those rare birds: a still-vibrant, direct link to the past. History has personal meaning when you can physically trace the connections and experience a small slice of what life was like before it hit warp speed, before it was corporate, before rat-a-tat gloss suffocated neighborhood personality.

We’re at the reverse of needing to advance the population; the earth is suffering the damage of too many people at one time. So the modern need for offspring  seems an instinctive drive for immortality. Globe Drug felt like a slice of immortality, St. Louis style. I can feel the heavy sadness of Sandy Cohen and family as they pack up 57 years of life and cart it out of this building. And even as the neighborhood comes back to life all around it, all of us will feel the emptiness as we pass by 2626 Cherokee.

From a Suburban Journals article on the office wall:

“Who says that you can’t go back? In the “hurry, hurry” world of today’s super conglomerate drug stores, Globe Drugs…stands proudly as proof that quality and commitment to its customers needs still make a difference.  …the Cohen family has worked hard to keep the nostalgic atmosphere that you would have found when FDR was in the White House… So, go back. Go back to a time when a variety store was the cornerstone of a community.”

Bright Future for a Mid-Century Modern Church

3900 Meramec St. resurrection church photo by toby weiss
3900 Meramec St.
South St. Louis, MO

Resurrection Church is a 1952 mid-century modern beauty that survived abandonment by the Catholic church to become a thriving Vietnamese church in the Dutchtown neighborhood. Let Rob Powers take you on an extensive tour of this gorgeous building.

3900 Meramec St. resurrection church photo by toby weiss

Notice anything shiny and new in this photograph of the side of the church, snapped just the other day?

3900 Meramec St. resurrection church photo by toby weiss

And you can see it on the rear of the church, above.
Crews are just about done capping all parapet walls of the church (and there’s a lot of them) with brand new copper. Some of it is replacing old, green patina copper original to the building, and some of it is going over original concrete parapets, which will protect them from further water erosion.

There are a couple of reasons why this is a significantly great bit of news. This maintenance project is really, really expensive. They could have saved quite a chunk of change by using any other metal but copper, but they stayed with the original material for this repair and maintenance.

And when you estimate how much they’re spending on copper and other roof repairs, consider how that money could have been applied to some serious renovating/remodeling/remuddling. But instead, they made a conscious decision to use appropriate, high quality materials to preserve the look of their church.

3900 Meramec St. resurrection church photo by toby weiss

Their commitment to,  and understanding of, the beauty and value of their building is heartbreakingly noble and life-affirming. Especially in light of Dotage St. Louis’ recent report on some seriously heinous remuddling of an art moderne building about 2 miles away from Resurrection.

While I am sickened and saddened by what they’ve done to the face of the building, I’m also pragmatic: these are business owners who have made a commitment to stay in their building in this city, and in tight financial times, put their money toward improving their property. Taste is debatable and subjective, but there’s no arguing the fact that they have contributed to the sustainability of this community by staying put in an old, mid-century modern building. I’d rather see it tarted up like a misguided prosti-tot than be torn down for no good reason.

So, the current owners of the Resurrection building seem to have a refreshing appreciation of the worth and beauty of their building, and their financial commitment to its upkeep is also like an insurance policy that this is one St. Louis City modern classic that can be removed off the Demolition Worry list. I hope their example can resonate with others who own buildings of this vintage, and that it inspires them to reconsider rash moves that can compromise the architectural integrity of this important chapter of our built environment legacy.

Rolling Down Memory Lane

Within a few days of each other, I ran into two different vehicles that overwhelmed my memory, creating a rush of intense appreciation for them. Which was a strange, new sensation, as vehicles of any kind usually mean nothing to me.

Almost cried when I was alongside this St. Louis County Public Library book mobile tooling down North Lindbergh. it’s been years since I’ve seen one, and decades since being inside one.

As a grade schooler, my Mother used the library as a free babysitter. She’d drop me off at least once a week and come back an hour later to pick me up. During that time, she shopped and ran errands in peace and productivity while I scoured the shelves and checked out stacks of books.

Once every 3 or 4 weeks, the Book Mobile would come to the apartment complex where we lived in Black Jack, MO. The Book Gods shined down upon me, as the Mobile parked directly in front of our building for 2 hours. This was the equivalent of a junkie getting a free hit or two; I could return and get more books autonomously! There were even a few times where I’d check out a book, run upstairs to the apartment to read it, and have it finished in time to run back down to the Mobile to return it and get another book to replace it.

Why am I shocked that there are still Book Mobiles? Why do they seem so old fashioned, all of a sudden? There’s an obvious old age joke to be made here, but is it more than that? Do they seem old fashioned to any of you?

Idling in a grocery store parking lot was this vintage Trailways bus.  My first thought upon spotting it was a record I checked out from the library filled with TV and radio bloopers. One of my favorites blunders was a live radio ad for Trailways, wherein the announcer jubilantly says, “This New Year’s Eve, take Trailways, and leave the drinking to us!”

Aren’t the lines of this thing gorgeous? Now I understand why they made metal toy versions of them, and why the grade school boys were always snapping over who got to play with it next. It just looks cool.

And in that parking lot, I saw 4 different men leave their cars to walk up to the bus and stare admiringly at it while chatting with the bus driver, who was just as jazzed as they were. It was like watching their inner 8-year olds peeking out for a minute or two, and it was a great thing to see.

Tower Grove’s Fountain Pond is So Shallow

Fountain Pond & Mock Ruins
Tower Grove Park
South St. Louis, MO

Great News Long Overdue
As reported from the park’s Facebook page,  the work “already underway includes: masonry repairs, plumbing upgrades, enhanced lighting, and improved landscaping of the area. The project is scheduled to be completed this summer.”

Good To Know
Look how shallow the water is in the pond!
The only thing that’s kept many of us from wading in that pond on a sweltering summer day is not knowing how deep it was. Now we know it’s not deep at all. In fact, it’s much like Paris Hilton – it’s very shallow.

So, now knowing exactly what’s under there + an improved sidewalk = I’m going in.
And I’m not the only one who’s seen this sight and had that thought. When the pond re-opens, the park rangers are gonna be busier than usual.

Fire Alters Downtown Belleville Landscape

200 block of E. Main Street
Belleville, IL

Of the 3 buildings pictured above, the first two from the corner are now gone because of a major fire in the early morning hours of May 26,2010. Read the detailed story with photos from the Belleville News-Democrat.

The consistently excellent reporting by the BND revealed that what I always thought of as two distinct buildings is actually 3 buildings. And while it was obvious that the facade of the former Fellner’s department store was a very choice mid-century modern retrofit, I had no idea just how very, very old all 3 of these buildings are (and, sadly, were) – dating back to 1865!

By late Wednesday afternoon, the sad remains of the two buildings (partially depicted above) were demolished and being carted off.

This part of downtown Belleville constantly amazes me because so very much of its original density has been preserved simply because it’s still being used. And I’ve admired the Fellner storefront because it was so tastefully done, adding a thick chapter of jet set glamor to the Belleville business district story. Now there are two businesses down and a violent void.  But because it is such a visible and functional spot, neighbors are immediately thinking ahead. As quoted from the BND report:

“It’s a tragedy to lose a building built in 1865,” said Geri Boyer, a resident of the Writers’ Lofts across East Main Street from the fire. “But, because I’m involved in development, it does open up some development opportunities for the buildings that are left. It opens the door for some potential for that space: parking, green space, a courtyard. Maybe it becomes a restaurant with outdoor seating.”

Boyer is an engineer and owns the Kaskaskia Engineering Group in Belleville. One of the structural engineers employed by her firm inspected the burned buildings.

“She made the same assessment the fire chief had already made: It was really unstable and something needed to be done immediately,” Boyer said.

This portion of the former Fellner still remains, and was saved by the intact fire wall, as reported by BND:

A fire wall that divided the thrift store from the community center stopped the fire’s progress. That wall separated the women’s department of the old Fellner’s from the rest of the clothing store.

The fire wall extended from the basement to the roof and was one story higher than the building that was on fire, which helped firefighters, (Belleville Fire Chief Scott) Lanxon said.

“If there are no places to stop a fire like that, there’s a chance you could lose a whole city block,” Lanxon said. “That’s what they’re there for, to stop from losing a city block.”

Lanxon stressed the importance of keeping fire walls intact. “If a fire wall is intact, it does its job. If there are holes made in it for one reason or another, if people punch holes through them, the fire could spread,” he said.

A reader’s poll within this on-line news report shows that the overwhelming majority of participating readers want the city to “rebuild so new businesses can open there,” and I love that can-do spirit, and agree with them. But I do hope that this portion of the MCM retro-fit can be retained as a remnant of the story that was extinguished. Maybe it can even inform the look or style of the new structure that may rise from the ashes.