A Bank Sign Resurfaces

5701 Chippewa
South St. Louis, MO

The original bank sign buried under the Gospel Church sign has broke free and come up for air! Click the photo to enlarge it and check out the hand-lettered cursive.

Here’s the building the resurfaced sign belongs to.

And the building is now for sale. Did an interested buyer want to see what’s under there, or did Mother Nature’s recent fireworks send the panel airborne?

Either way, it’s nice to see the old Public Service Savings & Loan Association sign. Welcome back!

Beer, Bands, Bricks & Kitsch

New Additions to the Soulard Stable Hootenanny…

FILM

Bill Streeter will show am exclusive sneak preview of footage from his documentary Brick By Chance & Fortune: A St. Louis Story.
He’ll also air some of his favorite Lo-Fi Saint Louis clips.
Details straight from Streeter’s fingertips.

PRIZES

Galen Gondolfi of Fort Gondo is donating a choice pile of kitsch bric-a-brac as $1 a ticket raffle prizes.  Items will be on display and small enough to cart of while drunk, if you win one.

Michael Allen has a beautiful summary of why we’re fighting and celebrating.

What Anti-Wrecking Ball: Soulard Stable Hootenanny
Where Stahl Stable, 2412 Menard Street, 63104
When 8:00 p.m. this Saturday, May 22
Cost $10 benefits the Friends of the San Luis and the St. Louis Building Arts Foundation
Bands Union Electric, Leadville & Pretty Little Empire
Beer 2 Schlafly kegs

Soulard Stable Hootenanny, see ya there!

Touring Harris Armstrong Homes

On May 2, 2010, The Sheldon Art Galleries sponsored a benefit tour of four homes designed by St. Louis modernist architect Harris Armstrong. All four homes are within walking distance of each other in the St. Louis County suburb of Sappington, and their ages range from 1937 – 1951. 3 of the 4 homes were actually inhabited by Mr. Armstrong. The home shown above – #2 Sappintong Spur – is the only one of the 4 on the tour that was a commission for a client, the McClure family.

This home dates back to 1937 and is about 75% original fabric. There has been a large and lavish family room and deck added to the rear of the home, which looks great. The rest of the home – including the basement – looks even better.

Click for a Flickr photo tour of #2 Sappington Spur.

Harris Armstrong obviously fell in love with this private street because he designed this home for his family, right next door! From 1938, this is a split level home, and the exterior combines naturalism with the aesthetic of the burgeoning international modernist movement that was emerging on the West Coast at the time.

This home is spectacular, unfolding like a rose! The abundant fenestration, wood built-ins and main level flowing floor plans are clearly modern, while the feel is pure comfort, security and serenity.  This place is currently for sale, with an $800k asking price. It is fairly priced, that’s for sure. It’s gorgeous in every way, and fingers crossed till circulation cuts off that it finds a buyer who loves it just as it is. Especially the tribute to Isamu Noguchi on the ceiling of the master bedroom!

Another great feature while touring this home was finding architect and Armstrong scholar Andrew Raimist at work on his laptop in the den that was once Harris’ home office. He looked so perfectly at home and natural in this setting that I simply took in the scene for several moments before saying hello.

Click for a Flickr photo tour of #3 Sappington Spur.

Harris moved a short walk down the hill from #3 Sappington Spur to this 1951 residence. By now, he was the foremost mid-century modern architect in St. Louis with residential and public commissions galore, so he had earned the right to go architecturally hog wild on his new home. The exterior looks like the perfect halfway point between where his work had been and where it was heading, with the rear elevation resembling an elaborate fort made by neighborhood boys, a childhood fantasy writ large.

The interior is where things go fantastically bizarre in the best way possible. It’s a series of changing levels and cut outs that is overwhelmingly awesome to look at but begs the question: did any of his kids or guests ever injure themselves?  Turns out Harris’ kids were either full-grown and gone or in their late teens when they moved in, so we can assume no children were hurt in the making of this home. As a home one can live comfortably and productively in, #3 Sappington was the clear winner to my mind. But when it comes to jaw-dropping impressiveness, this one wins big!

Click for a Flickr photo tour of 200 South Sappington Road.

While working on the Magic Chef building, Harris’ home office at #3 Sappington Spur was cramping productivity, so it was time for a stand-alone architectural office, proper. In 1948, he moved into his Asian-inspired design, and talk about impressing clients!

Here is the original floor plan of the small office. The dining room shown above was once his drafting studio. When Armstrong retired in 1969, this office was sold and remodeled into a private home. Several wings were added, essentially quadrupling the size of the structure, and for this tour most all of those areas were closed to the public, but as seen from the outside, they blend and/or coordinate nicely with the original office cube.

Click for a Flickr photo tour of 934 Singlepath Lane.

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Come to the Soulard Stable Hootenanny, May 22

Our journey through St. Louis City Preservation Rights is coming to an end, and with the final attorneys’ bill in hand, we’re throwing a party to pay that down and celebrate a small victory.

The story began with trying to save the San Luis from demolition. It came down.

The reasons it came down seemed in violation of laws already on the books, so we took it to court. The judge said we had no standing to protest this.

Because this was a gross misunderstanding of the laws already on the books, and because this ruling put future buildings in the same jeopardy, we took the case to the next highest court.

Here’s a news report of what went down in court the first week of May.
We’re waiting for the final written judgment, but our group who filed the suit – and our attorneys – are pleased with the tone of argument in court on that day, so we’re closing up shop on this particular preservation adventure. And we’re feeling good about the safety of the rights of St. Louisans to protect worthy buildings from bad decisions.

The Anti-Wrecking Ball crew would love for you to join us on Saturday, May 22, 2010 from 8 p.m. – 1 a.m. at the historic Stahl Stables in Soulard for some music, mirth, raffle prizes and beer!

$10 at the door gets you a beer and 3 kick ass St. Louis bands:
The Union Electric
Leadville
Pretty Little Empire

There will be cash kegs of Schlafly to drink from after you finish the complimentary brew, along with some raffle prizes and special features that are still being firmed up as we type.

All proceeds go to our noble and benevolent lawyers and the St. Louis Building Arts Foundation. So we can all get tipsy and rock out knowing we’ve all done our small part to protect our rights and the next building threatened by a wrecking ball.

If you’re on Facebook, here’s the official invite.
And click here for even more information.

Indy Atomic Crash Party

In April 2010, a friend and I were invited to Indianapolis for an Atomic Crash PartyDarren Snow had been following Atomic Indy, authored by Baz Mcm, who is the muscle behind the Atomic Crash Parties.

On a sunny and crisp Saturday, we traveled northeast from the heart of downtown Indy to what appears to be a classic mid-American inner ring suburb, and down a street lined with mostly mid-century ranches in various states of decline or renewal. The 3 shown in the photos above are renewing!

The scene for Atomic Crash Party #5 is one of exuberant renewal, a vibrant work-in-progress by architect Wil Marquez.

Wil designed and fabricated the plastic panels that make this unique fencing that provides partial privacy for a front patio seating area with a fire pit. He traced the shadows of the leaves from these very trees as the sun shown through them to create the pattern.

There are 3 distinct outdoor lounging areas around the house: the front yard, private patio by the side door off the living room and the grilling area show above outside the back garage door. I love the bent wood posts; adds some subtle curves to a rigorous pattern of straight lines.

We enter from the one-car garage directly into the kitchen…

…and the kitchen is open to the dining and living rooms. There were easily a minimum of 30 people milling about indoors and out, but it did no feel crowded. Natural light and open floor plans always make a space feel bigger.

I was particularly charmed by the wood panels that open up to let in air, a clever way to get ventilation when you have fixed picture windows.  Also note the burnt orange wall with the raised, wooden appliques.  The wall is in-progress, and I noticed a small stack of them out in the garage, waiting to be affixed to the wall. It gave the charming impression of making ones own puzzle pieces and casually putting the puzzle together in ones spare time.

It also made me realize that rehabbing and renovating a mid-century ranch house is just like rehabbing an early 1900s home: it’s a long, continual journey toward an ever-elusive finale, and the shop talk about the process is pretty much the same no matter the era your home was originally built.

One of the bedrooms has been converted into a TV/rumpus room. Again, note that a room that would now be considered small feels perfectly fine from an abundance of natural light and the proper editing of items within the space. Also of note is that several guests at the 3-hour open house wore era-appropriate clothing, including the gentleman in the middle (above) who wore a blue & white seersucker suit that was to die for!

Each of the bedrooms has extra storage above the sliding door closets, and these cabinet doors match the ones under the dining room window. Just love how these doors match the slope of the ceiling. It’s these tiny details that add character while solving the problems of where to stash our stuff.

Being an architect, Wil has designed and built several new built-in pieces – like this table in the bedroom – that serves all needs while freeing up square footage.

He did the same in his office, completing the installation of this built-in desk the day before the Crash Party.

This chair in his office was designed and built by a friend of his. As he promised, it is a surprisingly comfortable piece of fine art.

The powder room, above, is a space that appears to have all new fixtures, but it’s become much easier to find laminates and fixtures that mimic the original vintage of the home.  Again, rehabbing an atomic ranch is just like rehabbing older homes: restore what you can, or replace with new items that replicate history.

Realtors have long told me about a peculiar mindset of some people wanting to own an MCM ranch house: they want one in mint condition that requires no work, and become crestfallen and disillusioned upon learning it will require additional remodeling expense and a lot of work to have their space age dream. With so many of these ranch homes heading toward and past the 50-years of age mark, these are now historic homes that have seen a lot of living, renovating and remuddling in their lifetime.  Just as with a 1922 3-story mansion in Compton Heights, if you want to live in the splendor of a specific period of a home’s life, you have to put in the money and labor to make it happen.

Now, the materials you deal with to rehab/restore a mid-century ranch can be a bit easier to come by and work with. Properly repairing or replacing drywall is something any handy person born after 1945 can do, whereas working with plaster is an ancient art.  Upgrading an existing central air system from 1960 is much less of a hassle than putting in central air where none originally existed. But regardless of the home’s age, flooring, roofing, windows, electrical and kitchens and bathrooms are going to need extensive work.  And that work will go on forever, or so it seems.

Wil’s garage looks pretty much the same as any other rehabber’s – a laboratory of tools and items waiting to be brought back to life.  I love that he – and all the other Indy homeowners who’ve opened up their homes for the Atmoic Crash Party series – let people in to see their works in-progress, because the process is just as fascinating as the end result. And seeing possibility in action is true inspiration.

I know that St. Louis is ready for their own version of an Atomic Crash Party. Baz knows that hundreds of American cities are poised for the same, and is working on taking this concept nationwide, which is exciting because it’s this kind of grassroots movement that pushes mid-century modern preservation toward mainstream reality.

So, all you StLers who’ve been quietly labor-of-loving over your ranch houses, how about an open house? It doesn’t matter that you’re “not quite done,” because – realistically – when will that day ever come? Is any house ever really done? All you MCM Rehab Pioneers in Ridgewood, Craigwoods, Frostwood, Harwood Hills, the south side of St. Louis Hills… would you be interested in opening your doors for a few cocktail hours? If the idea is intriguing, there’s a group of us that can help you coordinate such a worthy endeavor. Just speak up!

And thank you to Baz and all his jet set pals for letting us be a part of such a wonderful party and concept. You inspire possibility!

The Sinclair Dinosaur is Extinct in St. Louis

South Broadway & California
South St. Louis, MO

One of the most delightful sights in South St. Louis is the pristine green Sinclair dinosaur on South Broadway near Interstate 55. Or it was…

…until May 5, 2010. I drove by on that evening and its absence was glaringly obvious. Where did he go?

His disappearance was bothering me more than I felt comfortable with, so I drove to the station two nights later to get some answers.

A hastily erected canvas Conoco over the Sinclair sign revealed all. But I went inside, bought anything to stand in line and ask the guys behind the counter, “What happened to the dinosaur?”

They said some men came on the very day I noticed it gone, picked it up and carted it off on a flatbed truck, and that they were collecting all the dinosaurs because Conoco had bought out all St. Louis Sinclair stations.  Did they ask where the dinosaur was headed to? Their responses were “Probably someone’s back yard”  and “I heard one guy say something about an amusement park.”

A half hour of web research did not reveal any news about Conoco buying out Sinclair, but since the dinosaurs have been going extinct for quite some time, at least one site has been cataloging what remains and helping out those who want to buy or sell the green dinosaurs with the sardonic smile.

The Sinclair station (above) at Big Bend near Hwy 44 closed in the summer of 2007.  Its dinosaur disappeared a few days before the “Sorry, We’re Closed” sign hit the door. The building has since been re-purposed as a scooter and ATV retail outlet.

The reason for this Sinclair’s demise seemed obvious; QT is the Walmart of gas stations. But Sinclair has been dwindling in the Metro St. Louis area for the past 10 years, and I’ve been snapping the empty buildings across the region for several years. Because of the gas tanks underground, the sites tend to sit unused in perpetuity. Only mega-corporations like CVS have the cash to sniff around their vacant sites.

So, the few remaining Sinclairs in operation have a deep, nostalgic resonance in my soul, and when one so close to home still had a dinosaur, it was a point of privilege and pride.

Saint Louis Patina may have the last official photograph of our South Side dino. And I will call the Conoco media relations during normal business hours to see if they have an official process for retrieving and re-using the dinosaurs.  I can already feel their eyes rolling as I ask the question. I’m also picturing a Citizen Kane-like warehouse filled with hundreds of dinosaurs, their necks intertwined, a fine coat of dust dulling their luster…

In the scheme of things, the extinction of the Sinclair dinosaur in St. Louis is a pimple on the ass of the universe. But it’s the little things that tend to bring the most satisfaction, and I already miss that little jolt of happiness received every time I passed by Dino. Farewell my prehistoric fossil fuel friend!

Julius Shulman Film Releasing on DVD

Guess what I just bought?
Yep, Visual Acoustics: The Modernism of Julius Shulman releases on DVD May 25th. It has extra footage and deleted scenes, just as Eric Bricker promised when it was first shown here in November of 2008.

You can pre-order the DVD from now until May 25th, and it’s $25 flat, shipping and handling included. You’ll receive it 2-3 days after the 25th. Here’s where I went to order it, just now!

Yeah, I’m geeking out. But I’ve waited a long time to own this and freeze-frame till the remote fries out.

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Blogger Round Table, May 5, 2010

I am jazzed about being invited to participate in one of the events during the week long Chautauqua Art Lab 2010. Learn more about all events happening this week.

At 7 PM on  Wednesday, shop drug May 5th at at the Open Lot in Lafayette Square (1310 S. 18th St., cheapest 63104) , 6 St. Louis built environment bloggers are gathering at the request of host Jordan Hicks to discuss “Built Environment | Blog Ecosystem | Media Landscape.”

The participating bloggers are:

Alex Ihnen of urbanSTL

Alderman Antonio French of PubDef

Jami Schoeneweis of 56 Houses Left

Michael Allen of Ecology of Absence

Rick Bonasch of STL Rising

…and me!

Questions being asked of us include: Who is our intended audience and how well do we reach them?  How do our online projects affect our professional positions? What set of ethics do we follow?

This event is free. We hope to see you there.

Paradowski Creative’s New Space

1928 Locust Street
St. Louis City, MO

On a rainy Saturday in April, Landmarks Association and Alex Paradowski gave a tour of the new space for his company, Paradowski Creative. Alex worked with Alan Nehring and HBD Contracting to breathe new life into this old building.

The oldest part of the building at 20th & Locust dates from 1892, and the entire complex was once Missouri Light & Power, the city’s first electric utility, and the precursor to what is now Ameren UE.  Read more about the building and its creation on their wesbite.

The creative agency has transformed the inside of a stately brick warehouse into a modern wonderland of colors, textures and shapes.  They have also repurposed many pieces of the building that were removed – or unearthed – during the design and construction process. It is these tangible pieces of the past that grounds the concept from floating away in a cloud of whimsy.

Shown above is Alex in one of 3 conference rooms that, with the flip of walls, transforms into one large meeting space.

The painting on the white glazed brick wall is of their previous home on Broadway in central downtown St. Louis.  I appreciate a firm that appreciates their past, but also get a special kick because I once worked for the design/build firm who did the renovation of that building. I like their new building much, much better.

The ground floor space is divided into multiple functions that are designated by varying colors, lighting and ceiling heights. Each area speaks its function with a casual energy that’s required for creative thinking and and inspiration.

Bathrooms on the 1st and 2nd floors are absolutely fabulous. Look in the mirrors, above, to see the stalls, which are much like the bathrooms in the Chase Park Plaza Theater lobby, but with one vast improvement: rather than knock or pull on a door to know if it’s available, these have tags that indicate vacant or occupied. It’s the details that matter most, really.

The main work room of the ground floor is gloriously open, with space ingeniously suggested by iron posts framing each cube. They are still in punch list phase, and this is a creative agency so things will continually change, but note the hanging space divider on the left side of the above photo.

We were all extremely taken with these plastic sheets of random letters, like a life size Seek & Spell.

There are endless spaces for spontaneous gathering and play, which are crucial for creatives, and often overlooked in offices of this type. Above is a library cove tucked under the mezzanine, which is made even more inviting by the natural light pouring through the gigantic windows, original to the building.

Another space we all fell in love with is the employee lunch room, which looks and functions more like a hip bistro in the Central West End.

An overhead door pops open to meld indoors and out.  All the brick in the above photo is repurposed from in and around the building, and the juxtaposition of original fiber against new modern fixtures feels wonderful.

There is a 2nd floor mezzanine level with more offices, work areas, lounges and meeting spaces (oh, and a pool table!).

The view from the mezzanine is pretty spectacular, giving one a sense of the immensity of the ground floor and the industrial art of the ceiling soaring above.

There’s much more to the new Paradowski offices than can be covered here (like the employee parking under the building, or the exercise and locker rooms), and the stories Alex shared of the rehab and renovation of the space are fascinating.  Especially the story of how Missouri’s Historic Tax Credit program made such a venture possible.

Alex’s excitement and love for the building is contagious and inspiring, and with NSI just up the street (in another repurposed historic building), this part of the city that was once automobile alley is becoming a creative alley. The beauty and possibility of the City of St. Louis is endless, and thanks to Paradowski Creative for underscoring the fact (and thanks for the tour!).

Quonset House in Affton

Vasel & Pavia Avenues
Affton, MO

This is the cutest damn thing I’ve seen all year! It reminds me of a Liddle Kiddles playhouse!

I love Quonsets. Love saying the word, love spotting them across the American landscape (especially the double or triple runs), love the way they look and love how endlessly adaptable and durable they have proven to be.

The Quonsets usually get repurposed as utility or storage buildings, in both urban and rural areas. This is the first time I’ve seen one repurposed as a cottage… and in Affton of all places. That’s just The Best!

But the St. Louis County property records feel a bit intolerant about this Quonset house. Their records show it’s from 1947, 756 s.f. with two bedrooms and a full basement. And then they list the style as Colonial.
Yes, Colonial.
As if giving it another name will erase its essence?
Never. The Quonset will not be denied. All hail the Affton Quonset House!

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