Tiny Medical Buildings

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As a kid, I was always fascinated by this building because it was just my size.  It was like a little doll house plopped onto the black top parking lots of the buildings surrounding it on West Florissant in Country Club Hills.   When I went back to visit it in 2002 to take the photo above, I was struck by how antiquated the notion of a single doctor working out of a cracker box seems today.  For at least the last 30 years, our doctors are bunched together in large office buildings built for just that purpose, and the care within can be just as impersonal and confusing as those buildings.

This 1,152 s.f. building from 1956 was the office of Dr. Hubert S. Pruett (who once played with the St. Louis Browns!). In 1963,  the space was labeled The Sheldon Medical Building, as if it were to house more doctors, but it remained the private practice of Dr. Pruett until Dr. Samuel G. Ramirez took over in 1975.

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With the Sheldon back in my consciousness, I started noticing the plethora of tiny medical buildings dotting St. Louis.  Like the one above, at 9717 Manchester, in Rock Hill.  In 1953 it was the office of  dentist Albert Thomas.  By 1963, chiropractor Elizabeth J. Lochner took over, and took care of patients well into the early 1990s.

There are many intriguing things about these tiny medical buildings. For instance,  they tend to be at the far limits of St. Louis City and the inner-ring suburbs, so were built in the mid-century with cars in mind.  Private practice doctors followed the population out to St. Louis County, and while their patients were buying bigger homes, the doctors were content with less than 2,000 s.f.

Most interesting of all is that even in the midst of our square foot gluttony, most of these match boxes are still used today, and quite often the use stays in the health care realm.

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This office at 9846 Manchester in Rock Hill fits the Tiny Medical Building M.O., but actually opened in 1952 as Woodard Rug Cleaners.  But by 1963, the true nature of this building was realized when Alfred W. Moller opened his veterinarian practice.  Hey, human or animal, it’s still medical care, right?  It became West Side Animal Clinic in 1972, and as you can see, they are still there to this very day.

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An early example of what would become the standard of group physicians is shown above, at 2730 Watson in the Clifton Heights neighborhood of South St. Louis City.  From 1958 – 1980 it housed multiple physicians and optometrists (for humans), then it became a veterinary clinical laboratory until the mid-1990s.  Today, the office facing onto Southwest Avenue belongs to a chiropractor, so it went full circle back to the humans.

These medical offices also highlight the rapidly changing nature of 20th century American medical practice, which is really more the story of health insurance.  Up to the 1930s, doctors made house-calls, but with the advent of Blue Cross & Blue Shield insurance from 1930-1940, companies could buy into tax-free policies for their employees, and the need for more doctors increased.  With this growth of supply and demand, commercial insurance companies were finally ready to join in, increasing the number of insured from 20,662,000 in 1940 to nearly 142,334,000 in 1950.

These tiny medical offices were built for general practitioners who finally had a chance to make real money and care for their patients with total autonomy.  But by 1964, the numbers of doctors going into general practice were dwindling, with the focus moving over to medical specialists.  A solution for both general and specialized medicine to financially prosper was enacted in 1973 as the Health Maintenance Organization, and became the large HMO buildings so many of us visit today.

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This huge shift in the medical industry to group health care made these tiny medical buildings obsolete for private practice.  It’s a deep irony that some of these buildings now house medical specialists, like the office (above)  at 3185 Hampton in South St. Louis City.  But here’s a spin on this type of building: it was built in 1962 for American National Insurance, who used the building until 1990, when it became the City Spinal Center.  So even when the contents start off differently, these mid-century modern cubes just broadcast a medical nature.  Or actually, it would be merely a snapshot, as this medical period only lasted roughly 15 years.

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I am continually impressed with the adaptive re-use of these tiny buildings; most don’t stay vacant for too long.  Then again, depending on where they are, they are also highly vulnerable to demolition.  This little gem of concrete, cubist mid-century modernism (above) at 7810 Natural Bridge Road was being prepped for demo when I took this photo in 2005.  It started life as a doctor’s office, and by the end of its run, it held a carpenter’s shop and a travel agency.  So, the building was still useful, but it was in the area surrounding the University of Missouri-St. Louis, and was taken down for some vague reason still unresolved.

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But the majority of tiny medical buildings remain to this day.  Shown above is the place built for dentist Conrad J. Zoeller in 1954, at 9300 Gravois Road in Afton, MO.  He worked from this 748 s.f. office until the mid-1990s, and it was recently a hearing center until it  – or rather its parking lot – found a whole new use as a produce stand!

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Today, because of the health insurance industry, the medical profession is in worse shape than its former buildings.  Doctors can’t practice as responsibly and freely as they did when in these little stand-alone buildings, while their buildings keep finding a way to help humans and their pets.

Even the little building on West Florissant that first opened my eyes to this short chapter of medical architecture still has a healthy, beating heart.  It is now a hair care center, ingeniously divided up as a barber shop through one entrance and a beauty salon through the other.  Here’s hoping that in the next couple of years, our health care system can transition into adaptive re-use as flexibly as its former buildings do.

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Cuts Like A Knife

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South Big Bend & Dale Ave.
Richmond Heights, MO

As you tool past it, this building gives the best optical illusions.

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In the small sliver of space it occupies, it is both translucent and opaque, reflective and absorptive, grounded yet floating.   It has always struck me as passively menacing, which pretty much sums up how I feel about finance, so it’s appropriate architecture for a bank.

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This building went up in 1978 for United Postal Savings, and remains a bank to this day.  As you can see from this aerial view,  the architect had to work with the odd angle of Dale Avenue and a small lot.  The building itself is only 3,228 square feet, which is small for a modern commercial building.  But it packs a lot of style and attitude into a tight spot.

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The brown brick creating soft curves for the lobby entrance is the only relief from the severity of the right triangle, and it feels as if they had to design a less-threatening entrance just so people could work up the nerve to enter the building.

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As with so many of the mirror-glass wall buildings of the post-modern architecture style, the inhabitants tend to feel uncomfortable with being exposed and ruin the aesthetic intent with yards of metal blinds.  In this case, the vertical blinds add a consistent texture that slightly reduces the ominousness, but also hampers the effect of reflective transparency.  Then again, people have to use buildings, so the function should be given as much weight as the visual impact.

But blinds cannot take away from the architectural editorial on the fine point of this building.  Depending on the angle, it looks like a cut-throat straight razor  or a plunging stiletto.  No matter the era, finance cuts like a knife.

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Put On A Happy Face

paint-jobN. Rock Hill Road
Webster Groves, MO

Painters going in for the second coat of a saturated, perriwinkle purple on a home beside the train tracks.  Yeah, the roof needs some attention – structure- and shingle-wise – and replacement windows are overdue. But that type of maintenance costs.

Paint is the cheapest form of instant gratification, and in this case, mood enhancement.  The owners are thinking “put on a happy face;” the neighbors may be thinking “send in the clowns.”  I think there ought to be clowns.

One thing I love about New Orleans’ neighborhoods is their warm and abundant embrace of vibrant house colors.  This purple addition to the yellow neighbor is a mini-recreation of that Big Easy feeling in the Webster Groves hills.
Thank you for doing this.

Come to the Anti-Wrecking Ball, August 27th

See photos of the event!

full flyer.aiThe San Luis is toast, but what about the next building?

Our quest to clarify St. Louis City preservation laws – and assure that those laws apply to everyone – continues.   As we move this legal argument to the Missouri Court of Appeals, our tenacious lawyers need to get paid.   So we’re putting on a show to raise money.

Why We Continue

And here are the wonderful folks joining us on this fundraising journey:

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Off Broadway (thanks to Kit Kellison for supporting the effort and donating the club for the night) opens its doors at 7:30, and it all begins at 8 PM with Elle Adorabelle and Greta Garter performing before and after each band set.

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Leadville kicks off the music, followed by The Red-Headed Strangers and Rough Shop.  While the stage is popping, enter a raffle to win from a fine selection of  StL – Style merchandise.

It’s $10 at the door, and every cent collected that night goes to the Friends of the San Luis, LLC legal fund.

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We would much rather you come and party in person, but if you can’t and still support the effort, we gratefully accept donations through Pay Pal.

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Architecture Rock, St. Louis Style

Finn’s Motel and The Blind Eyes are two St. Louis rock bands that have something in common that makes this building geek deeply happy: a propulsive, uplifting song specifically about architecture.

finns-motelJoe Thebeau was responsible for one of the very best albums of 2006, Escape Velocity.  It is an engrossing and far-reaching concept album about being a 40-year old family man and corporate drone who can’t escape the feeling that there’s something else waiting for him just beyond the horizon; how do you get to that place and what happens once you do?

Among the 17 songs that tell the tale is a piece that addresses the Gateway Arch as a metaphor for high and/or dashed expectations, “Eero Saarinen”:

Eero
Arching
Westward over my city
Stainless and brilliant
Eero
Arching
Skyward into the universe
Expanding
Expansive possibilities
The kind of vision I can look up to
Arching over
Into a future we couldn’t hope to
Live up to
Eero

Listen to the song “Eero Saarinen” by Finn’s Motel.

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For the sake of full disclosure, Joe Thebeau asked me to sing with him on the song, but trust that it has nothing to do with why I love it.  It’s definitely a case of him inviting me because I loved the simple and emotional geometry of his sentiment.  It made me look at the Arch – something most of us in this city tend to take for granted – in a whole new and personal way, which was also reflected in the CD cover shot and other photos of the Arch he sent me out to capture.

Atop that, the song just frickin’ rocks! It’s 1:32 minutes of rapid heart beat and laser point precision.  Architecture has been described as frozen music, and I’d always “heard” the Arch as a wistful symphonic piece.  Thanks to Thebeau’s artistic vision, I will forever “hear” the Arch as the Red Bull energy required to be the eternal Gateway to the West.

Finn’s Motel is playing at Off Broadway on Saturday, August 22, 2009. Do go check them out, and ask them to play this song.

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I have been listening to The Blind Eyes debut record for 7 days straight, and the brilliance of it multiplies with repetition.  During the first couple of listens – wherein I don’t pay attetion to lyrics, just overall sonics – I assumed from the chorus of “Brasil, 1957”  (“We could only make it on the plane, on a plane”) that the song was about The Mile High Club.

On the third listen I finally heard:

Moving westward up the river
Steel and concrete to deliver
Out of nothing springs a city
Monument to modernity

Holy crap, these guys are singing about the building of Brasilia, and by association, architect Oscar Niemeyer!  And – duh! – the T-shirt design (above) featuring Niemeyer’s National Congress building has way more significance than using it simply because Niemeyer is the coolest (and oldest) living architect.  Oh, and double duh, this also references/inspired the title of the record.

Listen to the song “Brasil, 1957” by The Blind Eyes.

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I’m not normally this slow on the uptake, and in defense it should be pointed out: how often do we hear a song that concisely and poetically sums up the construction of a mid-century modern capitol?  Previous to this, never!

The chorus of this ingenious song now takes on an extra layer of clever:  is it “plain” or “plane”?  Because both of them work.  The city of Brasilia was purposely built far inland on an empty plain.  Aerial views confirm that the city was purposely laid out in the shape of a plane.

What inspired them to tackle this as a song topic?  Is one of them a fellow architecture geek?  Until answers appear, I’m just impressed and thankful that it – and the entire record – exists. And I’m so proud that two St. Louis bands decided that songs about architecture should rock mightily.

Question

Aside from these two towering St. Louis musical achievements, what other rock or pop songs are specifically about an architect or a building?  The only other song that comes to mind is “Alec Eiffel” by The Pixies.

If you think of others, do let me know, and if enough of them exist, it could turn into the rare case of a second B.E.L.T. entry about architecture rock.

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South City Modern In-Fill House

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Miami Street
South St. Louis, MO

“One of these things is not like the others/Tell me can you guess which one?”

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In 1996, a house was demolished in this South Side neighborhood west of Kingshighway.  A tad over 10 years later, someone bought the vacant lot and erected this striking, thoroughly-modern replacement.

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In-fill housing in St. Louis City doesn’t happen as often as it should, and then when it does it is too often inappropriate for the area.  Technically, this house is stylistically inappropriate for the neighborhood.  Then again, this part of town has residential styles easily spanning a 60-year period, and this stretch of the street is the perfect example of that.  So, in essence, this new home is following the tradition of this North Hampton neighborhood.

The newest member of this block respects the scale and set-back of its neighbors and is designed in the 21st century casual manner I call “Dwell Magazine Modern.”  It is certainly different, but it’s not startling, and I think it’s a very handsome addition to the streetscape.

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I love how they carried the materials and aesthetic to the alley; this garage is amazing! And it brings up a dozen questions, including: how do the neighbors feel about it? how hard was it to get a loan for such a different design in this neighborhood? who is the architect? how cool is the interior?

If anyone knows the story of this new house, please do share! And thank you to architect Geoff Crowley who discovered the house while driving around and let me know about it.

Recycling MCM: St. Louis City vs. County

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We covered this building in an earlier post. It’s a mid-century modern building in Florissant that – according to the comments – unnerved just about everyone who had to use it.

At the time of the post, the building was for sale and the cornice was ratty and rotting from water damage, like in the photo above.  But come August 2009, the For Sale signs are gone and the entire cornice is being properly repaired and painted, as evidenced below.

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A property owner in deep North County sees the merit of recycling a late mid-century modern building that strikes some as unattractive.  At the exact same moment in St. Louis City, the San Luis is coming down for a parking lot.  My world view goes wonky when Florissant is smarter than the Central West End.

The Athletic Mothership Has Landed

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West Ripa & Conn Avenues
South County St. Louis, MO

It was an idle cruise on a summer day, heading up West Ripa Avenue between Telegraph and South Broadway, when the sight above hovered into view.  In and of itself, an arresting sight, but in the context of dense rows of tiny, 1920s bungalows, it was outright alien.  What is it?

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It is the gymnasium for the Hancock School complex, also known as the Tiger Dome.   It floats like an extraterrestrial among a sea of much newer, post-modern buildings, and because the campus was so shiny penny clean and new, I wondered if the gymnasium was also new, but built to look like The Jetsons.

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Venturing in under a canopy that thrusts its tentacles to the concrete walk ringing the circular gym, it was clear it was an older building.   No one would spend the time or money to construct something like this today, especially an old, established school district tucked into a confined space within an established neighborhood.

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The E.T. gymnasium was built in 1964, and the rest of the campus was revamped in 1996, which was a major undertaking that required voter approval for increased taxes to fund such a major project.  What amazes me is that the gym survived !  It sits almost dead center in the campus, and you know it required all kinds of special planning to make the new buildings rotate around it, or butt right up against it.  In most cases, this building would have been sacrificed to the gods of progress, demolished without a second thought.  Yet it – and its smokestack – still stands.

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The roof’s wooden frame would require regular patch and paint maintenance, as would the roof itself, which is brighter than freshly laundered tennis whites.  The deep eaves are ultra inviting to birds, so pigeon poop is a major issue.  You know the custodians know these things, and deal with it constantly, yet they opted to keep the alien gymnasium!  It fills a heart with gladness, it really does.  Go Tigers!

If any of you know the story about why this alien, mid-century modern gym was spared during a major remodel, please do share the story with us.

Mid-Century Modern For Sale in Old Town Florissant

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Rue St. Catherine at Jefferson St.
Old Town Florissant, MO

Old Town Florissant, established in 1786, is a small, charming patch of old-fashioned in North St. Louis County.  Everything is picturesquely quaint and refreshing, and a stroll down the streets makes one instantly crave hand-squeezed lemonade sipped on a porch swing.  So walking upon the sight shown above was pleasantly surprising.

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It’s surprising, but not unprecedented to see a quintessential mid-century modern domicile in this neighborhood.  The several blocks that are authentically historic are ringed on all four sides by every hallmark of 1950-1960s suburban-boom architecture, and if not for Historic Florissant, Inc. forming in 1969, the whole area would most likely have been covered in ranch houses.

So how did this thoroughly modern place, built in 1955, wind up in the middle of the Currier & Ives print that is Old Town?

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It’s Florissant Valley Fire House No. 1! According to the lieutenant who came out to chat, they move into their brand new firehouse on St. Ferdinand Street  in about two weeks, and this place goes up for sale.  He even said it would convert into a real nice home for someone… someone who’d really, really dig a lot of garage!  That, and 6,155 square feet.

From the street, it’s of an unassuming scale that’s respectful of its surroundings.  From the air, you get a startling idea of how large this 3-building complex really is, which just makes the ease with which it fits into the site even more artful.

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The fireman gave a sales price for this building that was shockingly low, and reacted to my surprise with “Don’t quote me.  The realtor knows better.”  But just hearing a price that was in the realm of obtainable sets the imagination spinning… a perfect home/work space for someone who restores vintage cars, or an artist who needs a giant studio?  A highly flexible home/business space?  The possibilities are endless, the location is perfect, and the building is beautiful and in great shape.  Here’s hoping it finds another loving owner, soon.

“The Law Enjoins Us To Become Stewards of Our Architectural History”

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Friends of the San Luis Seek Demolition Halt,
Right to Appeal Preservation Board Action

On July 17, the Friends of the San Luis, Inc. filed a petition in Circuit Court to obtain a temporary injunction that would prohibit the Archdiocese of St. Louis from proceeding with any demolition work at the San Luis Apartments until our organization has exhausted its legal appeal of the approval of the demolition permit.  While we do not have a final judgment, Judge Robert Dierker, Jr. has denied our motion for a temporary restraining order.  The Building Division issued a demolition permit on Monday, July 20, and preliminary demolition work is now underway.

Our mission is to preserve the San Luis Apartments, and at this eleventh hour we press onward with that basic mission but also a larger one.  After the Preservation Board granted preliminary approval to the demolition by a narrow vote, we intended to appeal that decision through our right under the city’s preservation ordinance.  We think that the Preservation Board’s action was made through incorrect application of the law.  Furthermore, we think that that the Cultural Resources Office report on the issue misled citizens and Preservation Board members through imprecise legal reasoning that made it unclear what laws were in play.  Since the Preservation Board acts only to enforce city ordinances, without clarity of which laws are being enforced there is no due process.

Under the preservation ordinance, however, we have only the right to appeal an approved demolition permit.  We filed the injunction petition to ensure that we were still fighting for an actual building rather than a rubble pile.  Unfortunately, Judge Dierker is not stopping demolition as well as challenging our legal standing to bring forth an appeal of the Preservation Board decision.  Thus begins our larger cause.

Our preservation ordinance allows an aggrieved party to bring forth an appeal.  The preservation ordinance was passed by the Board of Aldermen for the benefit of the entire city, and its stakeholders are all citizens who share the duty of protecting the city’s heritage.  The law enjoins us to become stewards of our architectural heritage, and the Friends of the San Luis gladly step forward to answer that call.

We contend that citizen right to appeal the decision of the Preservation Board is a fundamental part of due process and essential to the enforcement of the preservation review ordinance.  Without the right to appeal, citizen participation has severely limited impact.  Citizens must have the right to act when they feel that the preservation review ordinance has been violated by its own custodians.  The right to appeal is a basic legal principle, and it must be part of St. Louis’ preservation law.

While we hold out weary hope of preserving the San Luis, we must assert the right of the citizen to bring forth an appeal under preservation law.   We believe that future efforts will benefit from legal protection of that right, and that its fundamental sanctity is worth pursuing no matter what happens to the San Luis.

No Parking Lot On Lindell

UPDATE

The San Luis is coming down.
Read the 5-page court decision here.
See photos of the demolition here.
And here’s the summary of why the court battle will continue.